Graphic devices and the early decorated book /

In our electronic age, we are accustomed to the use of icons, symbols, graphs, charts, diagrams and visualisations as part of the vocabulary of communication. But this rich ecosystem is far from a modern phenomenon. Early medieval manuscripts demonstrate that their makers and readers achieved very s...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Brown, Michelle (Michelle P.) (Editor ), Garipzanov, Ildar H. (Editor ), Tilghman, Benjamin C. (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Woodbridge, Suffolk : The Boydell Press, 2017.
Colección:Boydell studies in medieval art and architecture.
Temas:
Illumination of books and manuscripts, Medieval.
Illumination of books and manuscripts, Celtic.
Illumination of books and manuscripts, Carolingian.
Manuscripts, Byzantine.
Historiated initials.
Manuscript design > History.
Book ornamentation.
Manuscripts, Medieval.
Enluminure médiévale.
Livres > Ornementation.
Arts graphiques.
Manuscrits médiévaux.
Enluminure celtique.
Enluminure carolingienne.
Manuscrits byzantins.
Initiales historiées.
Manuscrits > Mise en pages > Histoire.
graphic design.
graphic arts.
historiated initials.
Palaeography (history of writing).
Graphic design (Typography)
Manuscripts, Medieval
Illumination of books and manuscripts, Medieval
Graphic arts
Book ornamentation
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: The role of graphic devices in understanding the early decorated book / Michelle P. Brown, Ildar H. Garipzanov and Benjamin C. Tilghman
  • I. Graphic devices in the early medieval book: cross-cultural perspectives on a complex phenomenon: "In the image and likeness of God": the dedication monogram in the calendar of 354 and early medieval monogrammatic initials / Ildar H. Garipzanov
  • "Character" and the power of the letter / David Ganz
  • Tangled voices: writing, drawing and the Anglo-Saxon decorated initial / Catherine E. Karkov
  • Graphic visualization in liturgical manuscripts in the early Middle Ages: the initial "O" in the Sacramentary of Gellone / Eric Palazzo
  • Graphic quire marks and Qur'anic verse markers in Frankish and Islamic manuscripts from the seventh and eighth centuries / Lawrence Nees
  • The graphic cross as salvific mark and organizing principle: making, marking, shaping / Cynthia Hahn
  • II. Insular and Carolingian graphicacy: shared practices in divergent settings: The visual rhetoric of insular decorated incipit openings / Michelle P. Brown
  • The relationship between letter and frame in insular and Carolingian manuscripts / Tina Bawden
  • Patterns of meaning in insular manuscripts: Folio 183r in the Book of Kells / Benjamin C. Tilghman
  • Graphic and figural representation in Touronian Gospel illumination / Beatrice Kitzinger
  • III. Contrast and commonality: Byzantine manuscripts: Meaning from the margins: graphic signs, frames and initials in a ninth-century Byzantine manuscript / Leslie Brubaker
  • An exercise in extravagance and abundance: some thoughts on the marginalia decorata in the Codex Parasinus graecus 216 / Kallirroe Linardou
  • IV. Embeddding graphic devices in understanding the complete codex: externalizstion and internalization: The cross on the book: diagram, ornament, materiality / David Ganz
  • Graphic glosses and argumentative ornament / Herbert L. Kessler.

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