|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1246445287 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr |||||||nn|n |
008 |
210331s2021 ne a obq 001 0 eng d |
040 |
|
|
|a P@U
|b eng
|e rda
|e pn
|c P@U
|d OCLCO
|d EBLCP
|d N$T
|d OCLCO
|d YDX
|d OCLCF
|d OCLCO
|d JSTOR
|d DEGRU
|d CAMBR
|d UKAHL
|d K6U
|d DGITA
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d NLAUP
|
019 |
|
|
|a 1255528301
|
020 |
|
|
|a 9789048551729
|q (electronic bk.)
|
020 |
|
|
|a 9048551722
|q (electronic bk.)
|
020 |
|
|
|z 9789463725330
|q (hardback)
|
029 |
1 |
|
|a AU@
|b 000069138817
|
029 |
1 |
|
|a DKDLA
|b 820120-katalog:9910052363905765
|
035 |
|
|
|a (OCoLC)1246445287
|z (OCoLC)1255528301
|
037 |
|
|
|a 22573/ctv1kw3spk
|b JSTOR
|
043 |
|
|
|a e-ne---
|
050 |
|
4 |
|a PN1993.5.N4
|b V47 2021
|
082 |
0 |
4 |
|a 791.4309492
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Verstraten, Peter,
|e author.
|
245 |
1 |
0 |
|a Dutch Post-war Fiction Film through a Lens of Psychoanalysis /
|c Peter Verstraten.
|
264 |
|
1 |
|a Amsterdam :
|b Eye Filmmuseum/Amsterdam University Press,
|c [2021]
|
300 |
|
|
|a 1 online resource (482 pages) :
|b illustraties
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Framing Film
|
504 |
|
|
|a Includes bibliographical references, indexes and filmography.
|
520 |
|
|
|a Dutch Post-war Fiction Film through a Lens of Psychoanalysis is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis). Bron: Flaptekst, uitgeversinformatie.
|
588 |
0 |
|
|a Online resource; title from digital title page (viewed on May 06, 2021).
|
505 |
0 |
0 |
|t Frontmatter --
|t TABLE OF CONTENTS --
|t Preface --
|t Introduction --
|t CHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors --
|t CHAPTER 2. In the Name of Fathers -- Overbearing, Flying, or Otherwise --
|t CHAPTER 3. That Obscure Object of Desire --
|t CHAPTER 4. From Ordinary Men and Rabbles to Heroes --
|t CHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic --
|t CHAPTER 6. Passages ̉ l'Acte --
|t CHAPTER 7. From Historical Discomfort to Historical Trauma --
|t CHAPTER 8. Aphanisis --
|t CHAPTER 9. Hysteria, Neurosis, Perversion --
|t Epilogue --
|t BIBLIOGRAPHY --
|t FILMOGRAPHY --
|t INDEX OF CONCEPTS --
|t INDEX OF FILMS --
|t INDEX OF NAMES
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Motion pictures
|z Netherlands
|x History
|y 20th century.
|
650 |
|
0 |
|a Psychoanalysis and motion pictures
|z Netherlands.
|
650 |
|
0 |
|a Motion pictures
|x Psychological aspects.
|
650 |
|
6 |
|a Psychanalyse et cinéma
|z Pays-Bas.
|
650 |
|
7 |
|a Films, cinema.
|2 bicssc
|
650 |
|
7 |
|a Psychology.
|2 bicssc
|
650 |
|
7 |
|a ART
|x History
|x Modern (late 19th Century to 1945)
|2 bisacsh
|
650 |
|
7 |
|a Nederland.
|2 btr
|0 (NL-LeOCL)075632705
|
650 |
|
7 |
|a psychoanalyse.
|2 btr
|0 (NL-LeOCL)075619725
|
650 |
|
7 |
|a films.
|2 btr
|0 (NL-LeOCL)075606143
|
650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
|
650 |
|
7 |
|a Motion pictures
|x Psychological aspects.
|2 fast
|0 (OCoLC)fst01027364
|
650 |
|
7 |
|a Psychoanalysis and motion pictures.
|2 fast
|0 (OCoLC)fst01081275
|
651 |
|
7 |
|a Netherlands.
|2 fast
|0 (OCoLC)fst01204034
|
650 |
|
7 |
|a Films, cinema.
|2 thema
|
650 |
|
7 |
|a Individual film directors, film-makers.
|2 thema
|
650 |
|
7 |
|a Psychoanalytical and Freudian psychology.
|2 thema
|
648 |
|
7 |
|a 1900-1999
|2 fast
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
710 |
2 |
|
|a EYE (Amsterdam)
|4 pbl
|
830 |
|
0 |
|a Framing film (Amsterdam, Netherlands)
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1kwxdgx
|z Texto completo
|
938 |
|
|
|a Amsterdam University Press
|b AUPA
|n 9789048551729
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH38605404
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9789048551729
|
938 |
|
|
|a Digitalia Publishing
|b DGIT
|n DIGAMSTUP0042
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6552480
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2911385
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse97812
|
994 |
|
|
|a 92
|b IZTAP
|