|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1245846294 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
210412s2021 enk ob 001 0 eng d |
040 |
|
|
|a YDX
|b eng
|e rda
|c YDX
|d JSTOR
|d N$T
|d OCLCO
|d YDX
|d OCLCF
|d AFU
|d OCLCO
|d OCLCQ
|d QGK
|
020 |
|
|
|a 9781474456920
|q (electronic bk.)
|
020 |
|
|
|a 1474456928
|q (electronic bk.)
|
020 |
|
|
|z 1474456901
|
020 |
|
|
|z 9781474456906
|
029 |
1 |
|
|a AU@
|b 000069081867
|
035 |
|
|
|a (OCoLC)1245846294
|
037 |
|
|
|a 22573/ctv1kcj49b
|b JSTOR
|
050 |
|
4 |
|a PN1998.3.B875
|b T56 2021
|
082 |
0 |
4 |
|a 791.430233092
|2 23
|
049 |
|
|
|a UAMI
|
245 |
0 |
0 |
|a Tim Burton's bodies :
|b gothic, animated, corporeal and creaturely /
|c edited by Stella Hockenhull and Frances Pheasant-Kelly
|
260 |
|
|
|a Edinburgh :
|b Edinburgh University Press,
|c 2021.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
504 |
|
|
|a Includes bibliographical references and index.
|
505 |
0 |
0 |
|t Frontmatter --
|t CONTENTS --
|t FIGURES --
|t NOTES ON CONTRIBUTORS --
|t ACKNOWLEDGEMENTS --
|t INTRODUCTION --
|t PART ONE. ANIMATED BODIES --
|t 1. TRANSFORMATION: METAMORPHOSIS, ANIMATION AND FAIRY TALE IN THE WORK OF TIM BURTON --
|t 2. AGREEING TO BE A 'BURTON BODY': DEVELOPING THE CORPSE BRIDE STORY --
|t 3. TIM BURTON'S UNRULY ANIMATION --
|t 4. CORPSE BRIDE: ANIMATION, ANIMATED CORPSES AND THE GOTHIC --
|t PART TWO. CREATURELY BODIES --
|t 5. BURTON, APES AND RACE: THE CREATURELY POLITICS OF TIM BURTON'S PLANET OF THE APES --
|t 6. DEAD PETS' SOCIETY: GOTHIC ANIMAL BODIES IN THE FILMS OF TIM BURTON --
|t 7. TOO DARK FOR DISNEY: TIM BURTON, CHILDREN'S HORROR AND PET DEATH --
|t 8. MONSTROUS MASCULINITY: 'BECOMING CENTAUR' IN TIM BURTON'S SLEEPY HOLLOW --
|t 9. ANOMALOUS BODIES IN TIM BURTON'S BESTIARY: REIMAGINING DUMBO --
|t PART THREE. CORPOREAL BODIES --
|t 10. ALL OF US CANNIBALS: EATING BODIES IN CHARLIE AND THE CHOCOLATE FACTORY AND SWEENEY TODD: THE DEMON BARBER OF FLEET STREET --
|t 11. 'I MIGHT JUST SPLIT A SEAM': FABRIC AND SOMATIC INTEGRITY IN THE WORK OF TIM BURTON --
|t 12. THE SEMIOTICS OF A BROKEN BODY: TIM BURTON'S USE OF SYNECDOCHE --
|t 13. ART AND THE ORGAN WITHOUT A BODY: 'THE JAR' AS BURTON'S ARTISTIC MANIFESTO --
|t 14. 'HELL HERE!': TIM BURTON'S DESTRUCTION OF MICHELLE PFEIFFER IN BATMAN RETURNS --
|t PART FOUR. GOTHIC, MONSTROUS AND PECULIAR BODIES --
|t 15. THE GROTESQUE SOCIAL OUTCAST IN THE FILMS OF TIM BURTON --
|t 16. 'A GIANT MAN CAN'T HAVE AN ORDINARY-SIZED LIFE': ON TIM BURTON'S BIG FISH --
|t 17. TIM BURTON'S CURIOUS BODIES IN MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN: A CONTEMPORARY TALE OF THE GROTESQUE --
|t 18. ASEXUALITY AND SOCIAL ANXIETY: THE PERILS OF A PECULIAR BODY --
|t 19. BURTON'S BENEVOLENTLY MONSTROUS FRANKENSTEINS --
|t BIBLIOGRAPHY --
|t FILM AND TELEVISION --
|t INDEX
|
520 |
|
|
|a This innovative study centres on the body as a centripetal force in Burton's work and considers the array of anomalous, extraordinary and transgressive beings that pervade his canon.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
600 |
1 |
0 |
|a Burton, Tim,
|d 1958-
|x Themes, motives.
|
600 |
1 |
7 |
|a Burton, Tim,
|d 1958-
|2 fast
|0 (OCoLC)fst00292887
|
650 |
|
0 |
|a Human body in motion pictures.
|
650 |
|
6 |
|a Corps humain au cinéma.
|
650 |
|
7 |
|a Human body in motion pictures.
|2 fast
|0 (OCoLC)fst01899764
|
650 |
|
7 |
|a Themes, motives.
|2 fast
|0 (OCoLC)fst01355139
|
776 |
0 |
8 |
|i Print version:
|z 1474456901
|z 9781474456906
|w (OCoLC)1136966659
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1kd7xbb
|z Texto completo
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 17354879
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 302044957
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2906992
|
994 |
|
|
|a 92
|b IZTAP
|