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|a UAMI
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|a Weber, William,
|d 1940-
|e author.
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|a Canonic repertories and the French musical press :
|b Lully to Wagner /
|c William Weber, with Beverly Wilcox.
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|a Rochester, NY :
|b University of Rochester Press,
|c 2021.
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|c ©2021
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|a 1 online resource
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|a Eastman studies in music ;
|v v. 177
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|a Online resource; title from digital title page (viewed on July 30, 2021).
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|a Includes bibliographical references (pages 271-300) and index.
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|a The domestic versus the foreign in eighteenth-century Paris and London -- Elements of canon formation at the Concert spirituel / Beverly Wilcox -- To praise or to criticize? The evolution of music criticism in eighteenth-century France -- Haydn in the press during the 1780s : how did a canon arise? -- Parallel canons at the Opéra and the Comédie-Française at the end of the Ancien Régime -- Negotiating repertory, public demand, and les progrès de la musique at the Paris Opéra, 1815-1830 -- The evolution of le vieux répertoire at the Opéra-Comique in the nineteenth century -- Richard Wagner, concert life, and musical canon in Paris, 1860-1914.
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|a Musical canon
|z France
|x History.
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|a Musical criticism
|z France
|x History.
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|a Music
|z France
|x History and criticism.
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|a Opera
|z France.
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|a Chefs-d'œuvre (Musique)
|z France
|x Histoire.
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|a Critique musicale
|z France
|x Histoire.
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|a Musique
|z France
|x Histoire et critique.
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|a Opéra
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|a Music
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|a Musical canon
|2 fast
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|a Musical criticism
|2 fast
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|a Opera
|2 fast
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|a France
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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|a History
|2 fast
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|a Wilcox, Beverly,
|e author.
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|i Print version:
|z 1648250165
|z 9781648250163
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|a Eastman studies in music ;
|v v. 177.
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1jpf1wp
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