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Variable objects : Shakespeare and speculative appropriation /
"Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shake...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
2021
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | JSTOR_on1243554746 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 210327t20212021stk ob 001 0 eng d | ||
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| 016 | 7 | |a 020148675 |2 Uk | |
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| 020 | |a 9781474481410 |q (electronic bk.) | ||
| 020 | |z 1474481396 |q hardback | ||
| 020 | |z 9781474481397 |q hardback | ||
| 020 | |a 9781474481427 |q (ePub ebook) | ||
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| 029 | 1 | |a UKMGB |b 020148675 | |
| 035 | |a (OCoLC)1243554746 |z (OCoLC)1242107782 |z (OCoLC)1265320013 | ||
| 037 | |a 22573/ctv1hkmr5k |b JSTOR | ||
| 050 | 4 | |a PR2976 |b .V28 2021eb | |
| 072 | 7 | |a LIT |x 004120 |2 bisacsh | |
| 082 | 0 | 4 | |a 822.33 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Variable objects : |b Shakespeare and speculative appropriation / |c edited by Valerie M. Fazel and Louise Geddes. |
| 246 | 3 | |a Shakespeare and Speculative Appropriation | |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c 2021 | |
| 264 | 4 | |c Ã2021 | |
| 300 | |a 1 online resource (x, 254 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Description based upon print version of record. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : Bound in a nutshell - Shakespeare's vibrant matter / Valerie M. Fazel and Louise Geddes -- Part 1. Disciplinary objects -- Beds, handkerchiefs and moving objects in Othello / Sujata Iyengar -- The collectible Ofelia : object-oriented feminisms and the un-human corpus of Q1's dispensaniac / Molly Seremet -- Bitcoin, blockchains and the bard / Robert Sawyer -- Part 2. Media objects -- 'Were I human' : beingness and the postcolonial object in Westworld's appropriation of The Tempest / L. Monique Pittman, Vanessa I. Corredera, Kristin N. Denslow, and Karl G. Bailey -- Finding ludonarrative harmony in the limited agency of Ophelia in Elsinore / Andrew Darr -- Sympathise with the losers : performing intellectual loserdom in Shakespearean biopic / Anna Blackwell -- Prosthetic properties : the materiality of race and gender in The Hollow Crown : The Wars of the Roses / Emily MacLeod -- Part 3. Human objects -- 'Intermission!' : reading race in the objects of Key & Peele's 'Othello Tis My Shite' / Shanelle E. Kim -- Sight unseen : visualising variability through ontological representations in Macbeth / Valerie Clayman Pye and Cara Gargano -- The thing itself : performance and the celebrity text / Louise Geddes -- 'The promised end' : Shakespeare and extinction / Michael Lutz. | |
| 520 | |a "Drawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies." -- |c Provided by publisher. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Shakespeare, William, |d 1564-1616 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Shakespeare, William, |d 1564-1616 |2 fast |
| 650 | 7 | |a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Fazel, Valerie M., |e editor. | |
| 700 | 1 | |a Geddes, Louise, |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Fazel, Valerie M. |t Variable Objects |d Edinburgh : Edinburgh University Press,c2021 |z 9781474481397 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1hm8hnc |z Texto completo |
| 938 | |a Oxford University Press USA |b OUPR |n 9781474496018 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38442480 | ||
| 938 | |a YBP Library Services |b YANK |n 17354926 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6519207 | ||
| 938 | |a YBP Library Services |b YANK |n 17292073 | ||
| 938 | |a EBSCOhost |b EBSC |n 2898021 | ||
| 994 | |a 92 |b IZTAP | ||