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|a 020148671
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|a 1396852192
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|a 1474460666
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|a 9781474460668
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|z 9781474460644 (hbk.)
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|a 10.1515/9781474460668
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|z (OCoLC)1396852192
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|a e------
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|a PN1995.9.R45
|b E97 2021eb
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|a PER
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|a 791.436
|2 23
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|a UAMI
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|a European film remakes /
|c edited by Eduard Cuelenaere, Gertjan Willems, and Stijn Joye.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2021].
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|a 1 online resource (xv, 247 pages) :
|b illustrations
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|a text
|b txt
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|a computer
|b c
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|a online resource
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|a Screen serialities
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|a Description based upon print version of record.
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|a Preface -- Film Remakes in the Context of European Cinema: An Introduction -- Part I: Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies -- 1. The Film Remake as Prism: Towards a Model of Systematic Textual Analysis -- 2. The 'Secret Remake': A European Take on the Traditional Remake? -- 3. From 'Mini-Remake' to Open-Ended Coda: How to Make a 'Proper' Homage -- 4. Rainer Werner Fassbinder's Berlin Alexanderplatz (1980) as Remake? -- 5. Remakesploitation: Exploitation Film Remakes and the Transnational Giallo -- Part II: Historical Perspectives: Continuity and Change -- 6. Re-forming La Maternelle: Socio-Cultural Continuity and the Remake -- 7. Screening Transformation Processes: Post-War Remakes of Nazi-Era Films -- 8. The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion and Critical Reception in the Context of Technological Innovation -- Part III: Contemporary Perspectives: European Film Remakes in the New Millennium -- 9. Remakes à la polonaise: From National Re-Adaptations to Internationally Inspired Rom-Coms -- 10. Nostalgic Mediations of the Soviet Past in Nikolai Lebedev's Remake The Crew (2016) -- 11. Mistaken Identities: Millennial Remakes, Post-Socialist Transformation and Hungarian Popular Cinema -- 12. Refashioning the Remake: A Bigger Splash -- Part IV: Industrial Perspectives: Practices of Production and Circulation -- 13. Remake and Decline in Scottish Cinema: Whisky Galore! 1949 and 2016 -- 14. 'Remakable' Directors: The Contemporary Spanish Media Industry and Popular Discourses on Remakes and National Authorship -- 15. Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies -- Index
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|a Bringing together a range of international scholars, European Film Remakesdiscusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Film remakes
|z Europe
|x History and criticism.
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|a Nouvelles versions (Films)
|z Europe
|x Histoire et critique.
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|a PERFORMING ARTS / Film & Video / General
|2 bisacsh
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|a Film remakes.
|2 fast
|0 (OCoLC)fst01715954
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|a Europe.
|2 fast
|0 (OCoLC)fst01245064
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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|a Cuelenaere, Eduard,
|e editor.
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|a Willems, Gertjan,
|e editor.
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|a Joye, Stijn,
|e editor.
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|i Print version:
|a Cuelenaere, Eduard
|t European Film Remakes
|d Edinburgh : Edinburgh University Press,c2021
|z 9781474460644
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830 |
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|a Screen serialities.
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1hm8hrx
|z Texto completo
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|a Askews and Holts Library Services
|b ASKH
|n AH38402019
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|a Askews and Holts Library Services
|b ASKH
|n AH38402018
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|a YBP Library Services
|b YANK
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|a ProQuest Ebook Central
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|a EBSCOhost
|b EBSC
|n 2898001
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|a 92
|b IZTAP
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