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|a 1242107440
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|a UAMI
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|a ReFocus :
|b the films of Andrei Tarkovsky /
|c edited by Sergey Toymentsev.
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|a Films of Andrei Tarkovsky
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|a Edinburgh :
|b Edinburgh University Press,
|c [2021]
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|c ©2021
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|a 1 online resource (xii, 278 pages) :
|b illustrations.
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|a text
|b txt
|2 rdacontent
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|a still image
|b sti
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|a computer
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|a online resource
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|a ReFocus: the International Directors Series
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|a Includes bibliographical references and index.
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|a Introduction : Refocus on Tarkovsky / Sergey Toymentsev -- Part I. Backgrounds. 1. Tarkovsky's childhood : between trauma and myth / Evgeniy Tsymbal -- 2. Trava-Travlya-Trata : Tarkovsky's psychobiography à la Lettre / Andrei Gornykh -- 3. Does Tarkovsky have a film theory? / Sergey Toymentsev -- Part II. Film Method. 4. The child's eye view of war in Ivan's Childhood / Sara Pankenier Weld -- 5. The truth of direct observation : Andrei Rublev and the documentary style of Soviet cinema in the 1960s / Zdenko Mandušić -- 6. Temporality and the long take in Stalker / Donato Totaro -- 7. Framing infinity in Tarkovsky's Nostalghia / Yelizaveta Goldfarb Moss -- 8. Approaching the irreal : realistic sound design in Andrei Tarkovsky's films / Julia Shpinitskaya -- Part III. Theoretical Approaches. 9. Andrei Tarkovsky, or the Thing from Inner Space / Slavoj Žižek -- 10. Wounds of the past : Andrei Tarkovsky and the melancholic imagination / Linda Belau and Ed Cameron -- 11. The flesh of time : Solaris and the chiasmic image / Robert Efird -- 12. Cinema as spiritual exercise : Tarkovsky and Hadot / Anne Eakin Moss -- 13. Memory and trace / Mikhail Iampolski -- Part IV. Legacy. 14. Zvyagintsev and Tarkovsky : influence, depersonalization, and autonomy / Lisa Ryoko Wakamiya -- 15. Von Trier and Tarkovsky : from antithesis to counter-sublime / Sergey Toymentsev and Anton Dolin.
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|a Despite an output of only 7 feature films in 20 years, Andrei Tarkovsky has had a profound influence on international cinema. Famous for their spiritual depth and incredible visual beauty, his films have gained cult status among cineastes and are often included in ranking polls and charts dedicated to the 'best movies ever made.' Beginning with the late 1980s, Tarkovsky's highly complex cinema has continuously attracted scholarly attention by generating countless hermeneutic challenges and possibilities for film critics. This book provides a fresh look at the director's legacy, with critical essays by both world-famous and early-career film scholars. It examines Tarkovsky's cinematic techniques and his treatment of genre, landscape and sound and offers highly original interpretations of his oeuvre in the context of film aesthetics, psychoanalysis, philosophy, cultural studies and art history.--
|c Provided by publisher.
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|a Dr. Sergei Toymentsev is a postdoctoral fellow in the Department of Modern Languages at Florida State University.
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|a Print version record.
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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|a Tarkovskiĭ, Andreĭ Arsenʹevich,
|d 1932-1986.
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|a Tarkovskiĭ, Andreĭ Arsenʹevich,
|d 1932-1986
|2 fast
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|a Motion picture producers and directors
|z Soviet Union.
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|a Producteurs et réalisateurs de cinéma
|z URSS.
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|a PERFORMING ARTS / Film & Video / Direction & Production
|2 bisacsh
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|a Motion picture producers and directors
|2 fast
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|a Soviet Union
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|a Toymentsev, Sergey,
|e editor.
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|i Print version:
|t ReFocus.
|d Edinburgh : Edinburgh University Press, [2021]
|z 1474437230
|w (OCoLC)1244478910
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|a ReFocus: the international directors series.
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1hm8h2k
|z Texto completo
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|a Oxford University Press USA
|b OUPR
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|a ProQuest Ebook Central
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