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The lure of the image : epistemic fantasies of the moving camera /
"The Lure of the Image shows how camera movement, a long-neglected topic of study, challenges key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oakland, California :
University of California Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 0520975448 |q electronic book | ||
| 020 | |a 9780520975446 |q (electronic bk.) | ||
| 020 | |z 9780520344259 |q hardcover | ||
| 020 | |z 9780520344273 |q paperback | ||
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| 037 | |a 22573/ctv1r2q843 |b JSTOR | ||
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| 050 | 0 | 4 | |a PN1995.9.P7 |b M57 2021 |
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| 049 | |a UAMI | ||
| 100 | 1 | |a Morgan, Daniel, |d 1977- |e author. | |
| 245 | 1 | 4 | |a The lure of the image : |b epistemic fantasies of the moving camera / |c Daniel Morgan. |
| 264 | 1 | |a Oakland, California : |b University of California Press, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource (xii, 290 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a "Simpson Imprint In Humanities" | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Talking about the moving camera -- The lure of the image -- Where are we? -- Object lessons : the variable dynamics of point of view -- Max Ophuls and the limits of virtuosity -- The curious ironist : Terrence Malick and the drama of perspective -- Beyond the camera. | |
| 520 | |a "The Lure of the Image shows how camera movement, a long-neglected topic of study, challenges key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera-and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick, and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, an account that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style"-- |c Provided by publisher. | ||
| 588 | |a Description based on online resource; title from digital title page (viewed on August 13, 2021). | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 0 | |a Motion pictures |x Aesthetics. | |
| 650 | 0 | |a Cinematography. | |
| 650 | 2 | |a Motion Pictures | |
| 650 | 6 | |a Cinéma |x Production et réalisation. | |
| 650 | 6 | |a Cinéma |x Esthétique. | |
| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Cinematography |2 fast | |
| 650 | 7 | |a Motion pictures |x Aesthetics |2 fast | |
| 650 | 7 | |a Motion pictures |x Production and direction |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Morgan, Daniel, 1977- |t The lure of the image |d Oakland, California : University of California Press, [2021] |z 9780520344259 |w (DLC) 2021005040 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1r2xxhn |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 301834113 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6645475 | ||
| 938 | |a EBSCOhost |b EBSC |n 2955340 | ||
| 994 | |a 92 |b IZTAP | ||