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JSTOR_on1242424301 |
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20231005004200.0 |
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210319s2021 ncua ob 001 0 eng c |
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|a 2020032093
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|a NDD
|b eng
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|d OCLCO
|d BIBBD
|d OCLCQ
|d OCLCO
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019 |
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|a 1240829531
|a 1262670136
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|a 147802139X
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|a 9781478021391
|q (electronic bk.)
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|z 9781478011941
|q (hardcover)
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|z 1478011947
|q (hardcover)
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|z 9781478014089
|q (paperback)
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|z 1478014083
|q (paperback)
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|a AU@
|b 000068820068
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|a (OCoLC)1242424301
|z (OCoLC)1240829531
|z (OCoLC)1262670136
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|a 22573/ctv1mmx2wc
|b JSTOR
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|a n-us---
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|a ML3477
|b .W457 2021
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|a MUS
|x 020000
|2 bisacsh
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0 |
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|a 782.421640973
|2 23
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|a UAMI
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100 |
1 |
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|a Weisbard, Eric,
|e author.
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245 |
1 |
0 |
|a Songbooks :
|b the literature of American popular music /
|c Eric Weisbard.
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264 |
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1 |
|a Durham :
|b Duke University Press,
|c 2021.
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300 |
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|a 1 online resource (xxii, 530 pages) :
|b illustrations
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336 |
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|a text
|2 rdacontent
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|a computer
|2 rdamedia
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|a online resource
|2 rdacarrier
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490 |
1 |
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|a Refiguring american music
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588 |
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|a Description based on print version record.
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|a Includes bibliographical references and index.
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505 |
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|a Setting the Scene -- The Jazz Age -- Midcentury Icons -- Vernacular Counterculture -- After the Revolution -- New Voices, New Methods -- Topics in Progress.
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520 |
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|a "Songbooks, a critical guide to American popular music writing, unfolds chronologically, with entries on authors, artists, and topics beginning with William Billings's 1770 New-England Psalm-Singer. Outsiders proliferate in these pages: women and/or writers of color, authors displaced by sexuality, self-educated scholars, elites deviating from norms. Their work routinely took non-academic shapes: compilations of songs, memoirs and biographies, fiction and magazine essays. Others fought within the academy to establish fields like ethnomusicology and jazz studies. Drawing on his background as a Village Voice music critic and as the longtime organizer of the Pop Conference, Eric Weisbard offers an important corrective to a fragmented field"--
|c Provided by publisher.
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590 |
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|a JSTOR
|b Books at JSTOR All Purchased
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590 |
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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0 |
|a Popular music
|z United States
|x History and criticism.
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650 |
|
0 |
|a Popular music
|z United States
|x Historiography.
|
650 |
|
6 |
|a Musique populaire
|z États-Unis
|x Histoire et critique.
|
650 |
|
6 |
|a Musique populaire
|z États-Unis
|x Historiographie.
|
650 |
|
7 |
|a MUSIC / History & Criticism
|2 bisacsh
|
650 |
|
7 |
|a Popular music
|2 fast
|
650 |
|
7 |
|a Popular music
|x Historiography
|2 fast
|
651 |
|
7 |
|a United States
|2 fast
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
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776 |
0 |
8 |
|i Print version:
|a Weisbard, Eric.
|t Songbooks.
|d Durham : Duke University Press, 2021
|z 9781478011941
|z 9781478014089
|w (DLC) 2020032092
|w (OCoLC)1163964026
|
830 |
|
0 |
|a Refiguring American music.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1mnmx2d
|z Texto completo
|
938 |
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|a BiblioBoard
|b BIBD
|n 37af92e0-b7bf-4fc6-a060-9a1e9e32be15
|
938 |
|
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|a De Gruyter
|b DEGR
|n 9781478021391
|
938 |
|
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|a ProQuest Ebook Central
|b EBLB
|n EBL6551360
|
938 |
|
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|a Project MUSE
|b MUSE
|n muse98303
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2914947
|
994 |
|
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|a 92
|b IZTAP
|