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Poetry at stake : lyric aesthetics and the challenge of technology /
Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
©1999.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Noland, Carrie, |d 1958- | |
| 245 | 1 | 0 | |a Poetry at stake : |b lyric aesthetics and the challenge of technology / |c Carrie Noland. |
| 264 | 1 | |a Princeton, N.J. : |b Princeton University Press, |c ©1999. | |
| 300 | |a 1 online resource (x, 264 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
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| 504 | |a Includes bibliographical references (pages 263-264) and index. | ||
| 505 | 0 | |a Traffic in the unknown: Rimbaud's interpretive communities, market competition, and the poetics of Voyance -- A poetry of attractions: Rimbaud's machine and the Theatrical féerie -- Confessing philosophy: Negative dialectics and/as lyric poetry -- Blaise Cendrars and the heterogeneous discourses of the lyric subject -- High decoration: Sonia Delaunay, Blaise Cendrars, and the poem as fashion design -- Messages personnels: radio, cryptography, and the resistance poetry of René Char -- Rimbaud and Patti Smith: the discoveries of modern poetry and the popular music industry --Laurie Anderson: confessions of a cyborg. | |
| 520 | |a Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and Rene Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.--Publisher description | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a French poetry |y 19th century |x History and criticism. | |
| 650 | 0 | |a French poetry |y 20th century |x History and criticism. | |
| 650 | 0 | |a Lyric poetry |x History and criticism. | |
| 650 | 0 | |a Literature and technology |z United States. | |
| 650 | 0 | |a Literature and technology |z France. | |
| 650 | 0 | |a Aesthetics, Modern. | |
| 650 | 6 | |a Poésie française |y 19e siècle |x Histoire et critique. | |
| 650 | 6 | |a Poésie française |y 20e siècle |x Histoire et critique. | |
| 650 | 6 | |a Poésie lyrique |x Histoire et critique. | |
| 650 | 6 | |a Littérature et technologie |z États-Unis. | |
| 650 | 6 | |a Littérature et technologie |z France. | |
| 650 | 6 | |a Esthétique |y 19e siècle. | |
| 650 | 6 | |a Esthétique |y 20e siècle. | |
| 650 | 7 | |a LITERARY CRITICISM |x Poetry. |2 bisacsh | |
| 650 | 7 | |a Aesthetics, Modern. |2 fast |0 (OCoLC)fst00798800 | |
| 650 | 7 | |a French poetry. |2 fast |0 (OCoLC)fst00934799 | |
| 650 | 7 | |a Literature and technology. |2 fast |0 (OCoLC)fst01000104 | |
| 650 | 7 | |a Lyric poetry. |2 fast |0 (OCoLC)fst01004373 | |
| 651 | 7 | |a France. |2 fast |0 (OCoLC)fst01204289 | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 650 | 7 | |a Lyrik |2 gnd | |
| 650 | 7 | |a Technologie |2 gnd | |
| 651 | 7 | |a USA |2 gnd | |
| 650 | 1 | 7 | |a Lyriek. |2 gtt |
| 650 | 1 | 7 | |a Frans. |2 gtt |
| 650 | 1 | 7 | |a Technologie. |2 gtt |
| 650 | 7 | |a Poésie française |y 19e siècle |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Poésie française |y 20e siècle |x Histoire et critique. |2 ram | |
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| 776 | 0 | 8 | |i Print version: |a Noland, Carrie, 1958- |t Poetry at stake. |d Princeton, N.J. : Princeton University Press, ©1999 |z 0691004161 |w (DLC) 99025333 |w (OCoLC)40979998 |
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