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JSTOR_on1240337559 |
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|a 20210154977
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|a 1282284515
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|a 9781487537814
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|a (OCoLC)1240337559
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|b L53 2021
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|b L53 2021
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|a cci1icc
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|a UAMI
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|a Li, Hua,
|d 1969-
|e author.
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245 |
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|a Chinese science fiction during the post-Mao cultural thaw /
|c Hua Li.
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|a Toronto ;
|a Buffalo ;
|a London :
|b University of Toronto Press,
|c [2021]
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|c Ã2021
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|a 1 online resource (234 pages) :
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Includes bibliographical references and index.
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|a The Field of Chinese Science Fiction, 1976-1983 -- A Study of Zheng Wenguang's Mars Series -- A Scientific Holmes in Post-Mao China: Ye Yonglie and His SF Thrillers -- Tong Enzheng and the Motif of Alien Invasions -- Posthuman Conditions in Xiao Jianheng's SF Narratives -- Tech-SF and the Four Modernizations -- Fledgling Media Convergence: PRC SF from Print to Electronic Media -- Blooming, Contending, and Boundary-Breaking Even in a Genre of Government-Backed Literature.
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|a "The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this post-Mao thaw science fiction began its rise as a type of government-backed literature, and yet often stirred up controversy and pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal both to scholars and fans of science fiction."--
|c Provided by publisher.
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|a Description based on online resource; title from digital title page (viewed on June 16, 2021).
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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650 |
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|a Science fiction, Chinese
|y 20th century
|x History and criticism.
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650 |
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|a LITERARY CRITICISM / Science Fiction & Fantasy
|2 bisacsh
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650 |
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|a Science fiction, Chinese.
|2 fast
|0 (OCoLC)fst01108660
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648 |
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|a 1900-1999
|2 fast
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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776 |
0 |
8 |
|i Print version:
|a Li, Hua, 1969-
|t Chinese science fiction during the post-Mao cultural thaw.
|d Toronto ; Buffalo ; London : University of Toronto Press, 2021
|z 1487508239
|z 9781487508234
|w (OCoLC)1223012354
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856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.3138/j.ctv1pzk2k4
|z Texto completo
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