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Chinese science fiction during the post-Mao cultural thaw /

"The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese scie...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Li, Hua, 1969- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto ; Buffalo ; London : University of Toronto Press, [2021]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Li, Hua,  |d 1969-  |e author. 
245 1 0 |a Chinese science fiction during the post-Mao cultural thaw /  |c Hua Li. 
264 1 |a Toronto ;  |a Buffalo ;  |a London :  |b University of Toronto Press,  |c [2021] 
264 4 |c Ã2021 
300 |a 1 online resource (234 pages) :  |b illustrations 
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504 |a Includes bibliographical references and index. 
505 0 |a The Field of Chinese Science Fiction, 1976-1983 -- A Study of Zheng Wenguang's Mars Series -- A Scientific Holmes in Post-Mao China: Ye Yonglie and His SF Thrillers -- Tong Enzheng and the Motif of Alien Invasions -- Posthuman Conditions in Xiao Jianheng's SF Narratives -- Tech-SF and the Four Modernizations -- Fledgling Media Convergence: PRC SF from Print to Electronic Media -- Blooming, Contending, and Boundary-Breaking Even in a Genre of Government-Backed Literature. 
520 |a "The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech-science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this post-Mao thaw science fiction began its rise as a type of government-backed literature, and yet often stirred up controversy and pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal both to scholars and fans of science fiction."--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on June 16, 2021). 
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648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
776 0 8 |i Print version:  |a Li, Hua, 1969-  |t Chinese science fiction during the post-Mao cultural thaw.  |d Toronto ; Buffalo ; London : University of Toronto Press, 2021  |z 1487508239  |z 9781487508234  |w (OCoLC)1223012354 
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