Nation and identity in Turkish crime fiction : reading Ahmet Ümit's novels as a medium of ideological negotiation /

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tüfekçioğlu, Zeynep (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Wiesbaden : Harrassowitz Verlag, 2021.
Colección:Mîzân (Wiesbaden, Germany) ; Bd. 33.
Temas:
Ümit, Ahmet, > 1960- > Criticism and interpretation.
Detective and mystery stories, Turkish > History and criticism.
Detective and mystery stories, Turkish
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Title Pages
  • Table of Contents
  • Acknowledgments
  • Note on Editions, Spelling, and Transcriptions
  • Introduction
  • From the Periphery to the Center?: Contemporary Crime Fiction in Turkey
  • Aims, Main Research Questions, and Methods
  • Overview of the Chapters
  • CHAPTER 1
  • Theoretical and Methodological Premises
  • 1.1 Interconnections Between the Theoretical and Methodological Approaches and Aims of this Study
  • 1.2 Cultural Narratology: A Possible Modus Operandi for the Study of Turkish Literature
  • 1.3 A Note on Key Concepts
  • CHAPTER 2
  • Positioning Ahmet Ümit in the Post-1980 Turkish Literary Field
  • 2.1 Becoming the Author of Turkish Crime Fiction
  • 2.2 Ahmet Ümit's Narratives as a Cultural Way of Self- and Worldmaking until the Gezi Revolt
  • 2.3 The End of His Ambivalent Politics of Resistance: The Aftermath of the Gezi Protests
  • Chapter Conclusion
  • CHAPTER 3
  • Beginnings: Reading Ümit's Early Works as Political Thrillers
  • 3.1 Narratives of Broken Masculinities and Popular Manifestations of Homo Secularis
  • 3.2 Uncovering the Discontents of the (Deep) State:The Fog and the Night, The Scent of Snow, and The Marionette
  • 3.2 Uncovering the Discontents of the (Deep) State: The Fog and the Night, The Scent of Snow, and The Marionette
  • 3.3 Debunking the Genocide Taboo and the Military Myth: Patasana
  • 3.3 Debunking the Genocide Taboo and the Military Myth: Patasana
  • Chapter Conclusion
  • CHAPTER 4
  • Transitions: Religion and History in Ümit's Post-secular Novels
  • 4.1 Towards Post-secularism
  • 4.2 Religious Identities and Religiosities in Beyoğlu Rhapsody and The Man who Spoke the Language of Jesus
  • 4.3 A Contemporary Sufi Tale: The Dervish Gate
  • Chapter Conclusion
  • CHAPTER 5
  • Transgressions: Alternative Histories in Ümit's Istanbul Novels
  • 5.1 Neo-Ottomanism vs. Ottomania: Reimagining the Ottoman Legacy
  • 5.2 Nostalgia for the Past: Istanbul Cosmopolitanism in A Memento for Istanbul
  • 5.3 Postmodernist Contestation of National Historiography in To Kill a Sultan
  • Chapter Conclusion
  • Conclusion
  • References

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