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Trans-global punk scenes : the punk reader. Volume 2 /
This new collection is the second in the Global Punk series. Following the publication of the first volume the series editors invited proposals for a second volume, and selected contributions from a range of interdisciplinary areas, including cultural studies, musicology, ethnography, art and design...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | , , , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol, UK :
Intellect Books,
2021.
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| Colección: | Global punk series
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Trans-global punk scenes : |b the punk reader. |n Volume 2 / |c edited by Russ Bestley, Mike Dines, Alastair 'Gords' Gordon, Paula Guerra. |
| 264 | 1 | |a Bristol, UK : |b Intellect Books, |c 2021. | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Global punk series | |
| 520 | |a This new collection is the second in the Global Punk series. Following the publication of the first volume the series editors invited proposals for a second volume, and selected contributions from a range of interdisciplinary areas, including cultural studies, musicology, ethnography, art and design, history and the social sciences. This collection extends the theme into new territories, with a particular emphasis on contemporary global punk scenes, post-2000, reflecting upon the notion of origin, music(s), identity, careers, membership and circulation. This area of subcultural studies is far less documented than more 'historical'work related to earlier punk scenes and subcultures of the late 1970s and early 1980s. This new volume covers countries and regions including New Zealand, Indonesia, Cuba, Ireland, South Africa, Siberia and the Philippines, alongside thematic discussions relating to trans-global scenes, the evolution of subcultural styles, punk demographics and the notion of punk identity across cultural and geographic boundaries. The book series adopts an essentially analytical perspective, raising questions over the dissemination of punk scenes and their form, structure and contemporary cultural significance in the daily lives of an increasing number of people around the world. This book has a genuine crossover market, being designed in such a way that it can be adopted as an undergraduate student textbook while at the same time having important currency as a key resource for established academics, postdoctoral researchers and PhD students. In terms of the undergraduate market for the book, it is likely that it will be adopted by convenors of courses on popular music, youth culture and in discipline areas such as sociology, popular music studies, urban/cultural geography, political history, heritage studies, media and cultural studies. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Yes, but is it punk? / Mark Edward Achtermann -- Re-thinking punk discourse and purpose: a case study of Muslim punk in Java / Élise Imray Papineau -- 'Mutants of the 67th parallel North': punk performance and the transformation of everyday life / Hilary Pilkington -- Looking beyond music: curating and narrating punk subculture in Singapore / Kai Khiun Liew and J. Patrick Williams -- Tauranga music sux! DIY punk culture in Aotearoa / Kyle Barrett and Wairehu Grant -- Filipino-American punk / Junior Tidal -- Punk space in Bandung, Indonesia: evasion and confrontation / Jim Donaghey and Frans Ari Prasetyo -- Welcome to the 'modern age': the imagery of punk from the 1970s in the redefinition of the New York music scene of the 2000s and beyond / Paula Guerra and Thiago Pereira Alberto -- Going through the motions: punk nostalgia and conformity / Russ Bestley -- Always now: punk In Washington DC, 2010-19 / John R. Davis -- Punk's not dead but its organs are being harvested in Ireland / Michael Mary Murphy -- From punk rock to Prabhupada: locating the musical, philosophical and spiritual journey of contemporary Krishnacore / Mike Dines -- Gore, absurdity and injustice: narco aesthetics as local transgressions in grind and powerviolence: a perspective from Mexico's musical subcultures / José Omar González Hernández -- Fuck off! Fokofpolisiekar's Afrikaans punk in the postcolony / Schalk D. Van Der Merwe -- So far, so close: contemporary faces of Portuguese and Brazilian punk scenes / Paula Guerra and Pedro Menezes | |
| 588 | 0 | |a Print version record | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Punk culture. | |
| 650 | 0 | |a Punk rock music |x History and criticism. | |
| 650 | 6 | |a Punk (Mouvement) | |
| 650 | 6 | |a Punk (Musique) |x Histoire et critique. | |
| 650 | 7 | |a Punk culture. |2 fast |0 (OCoLC)fst01084152 | |
| 650 | 7 | |a Punk rock music. |2 fast |0 (OCoLC)fst01084153 | |
| 650 | 7 | |a MUSIC / Genres & Styles / Punk |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Bestley, Russell, |e editor. | |
| 700 | 1 | |a Dines, Michael, |e editor. | |
| 700 | 1 | |a Guerra, Paula, |e editor. | |
| 700 | 1 | |a Gordon, Alastair |q (Alastair Robert), |e editor. | |
| 776 | 0 | 8 | |i Print version: |t TRANS-GLOBAL PUNK SCENES. |d [S.l.] : UNIV OF CHICAGO PRESS, 2021 |z 1789383374 |w (OCoLC)1198556528 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvpz2 |z Texto completo |
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| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6478678 | ||
| 938 | |a EBSCOhost |b EBSC |n 2752331 | ||
| 994 | |a 92 |b IZTAP | ||