The Poetics of Poetry Film Film Poetry, Videopoetry, Lyric Voice, Reflection.

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The first book of its kind, it classifies the different types of poetry film, shedding light on the fast-growing genre and citing works from poetry filmmakers worldwide. A ground-breaking industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing as well as p...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Tremlett, Sarah
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bristol : Intellect Books Ltd, 2020.
Temas:
Motion pictures > History.
Poetry.
Poetry as Topic
Cinéma > Histoire.
Poésie.
poetry.
ART / Film & Video
Motion pictures
Poetry
History
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Front Cover
  • Half Title
  • Frontier spices
  • Copyright information
  • Dedication
  • Epigraph
  • Table of contents
  • Illustrations
  • Foreword
  • Preface
  • Introduction: Poetry, Song, Philosophy
  • The Combined Lyric Aesthetic
  • Illuminated Verse
  • The Figurative Visual Poem
  • Philosophy through Poetry: China and the Lyric Aesthetic in Poetry and Painting
  • Part One Form and Structure
  • Terminology across Time
  • Poetry Films, Film Poems and Video Poems / Videopoems
  • Pioneer Works
  • Cinematic Poems
  • Vita Futurista
  • Film Poems
  • Cinépoème
  • Poetry Film
  • England and the Documentary with Spoken Verse
  • The Video Poem and Videopoem
  • The First Poetry Film Festival
  • Festival Time
  • Similar Genres
  • The Music Video
  • The Short Film
  • Separatist Classifications
  • A Coda to Terminology
  • Notes
  • Realization and Structure
  • Maker Topology
  • Auteur
  • Tom Konyves: Notes from his Videopoetry Manifesto
  • Collaborative
  • Poet and Film-Maker
  • Poet Interpreting Film-Maker
  • More than One Poet (Beyond the Workshop)
  • Film-Maker, Composer and Poet
  • Editors
  • Group Work
  • Workshops
  • More than One Film-Maker
  • Production Teams
  • Adaptation and Translation
  • What Is Poetry Film
  • What Is Poetry?
  • Visual and Concrete Poetry
  • Types of Visual Metaphor in Film
  • Renouncing Metaphor
  • Let's Take Another Look
  • Exposed Thought Processes
  • Constructional Components within the Three Elements
  • Naturalizing Construct: Eight Proposed Areas
  • Reflexive Form and Content
  • Examples of Handmade Techniques for Creating Images
  • Pen, Crayon and Ink
  • Cut-Out
  • Notes
  • Voice and Narrative
  • Locating Voice
  • Locating the Narrative Positionality of Voice in Poetry Films
  • Register
  • Voice as Speech Act
  • Types of Voice: Inner (Intensional), Observational (Extensional) and Direct Address
  • Voice Breaking Up
  • The Protagonist: Pasolini and Free Indirect Discourse
  • Sending a Message/Direct Address/Bearing Witness
  • Voice and Place
  • Dear Alison
  • A Climbing Film-Poem
  • Vatic Voice
  • Multiple Voices
  • Dual Voices/The Message/The Radio, Tannoy/The Witness
  • Dual Voices/Bilingual and Multilingual
  • Translation to English: The Problems of Subtitling
  • Translation and the Hard of Hearing
  • A Child's Voice
  • Voice and Text/Image as One
  • Absent Voice
  • Note
  • Time and Mind
  • Projected Author Time and Structural Tripartite Time
  • A Binding of Poetic (Linguistic) and Filmic Accumulative Time
  • Narrated Time: Poetry and Film
  • Time on the Page
  • A Scale for Projected Narrative Time in Poetry Films
  • The Dramatic Poetry Film
  • The Uncontrollable Present
  • The Controlled Present
  • The Past Alone
  • Past Alongside Present
  • The Pervious Poetry Film
  • At and through, Pervious Time
  • Pervious Subjective and Objective Time
  • Non-Temporal Pervious Time and Reverie
  • Time(s) and Geopoetics
  • Time and Place
  • Constructing Dynamic Spatio-Temporality

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