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The Poetics of Poetry Film Film Poetry, Videopoetry, Lyric Voice, Reflection.
The first book of its kind, it classifies the different types of poetry film, shedding light on the fast-growing genre and citing works from poetry filmmakers worldwide. A ground-breaking industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing as well as p...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Books Ltd,
2020.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Tremlett, Sarah. | |
| 245 | 1 | 4 | |a The Poetics of Poetry Film |h [electronic resource] : |b Film Poetry, Videopoetry, Lyric Voice, Reflection. |
| 260 | |a Bristol : |b Intellect Books Ltd, |c 2020. | ||
| 300 | |a 1 online resource (414 p.) | ||
| 336 | |a text |2 rdacontent | ||
| 336 | |a still image |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Front Cover -- Half Title -- Frontier spices -- Copyright information -- Dedication -- Epigraph -- Table of contents -- Illustrations -- Foreword -- Preface -- Introduction: Poetry, Song, Philosophy -- The Combined Lyric Aesthetic -- Illuminated Verse -- The Figurative Visual Poem -- Philosophy through Poetry: China and the Lyric Aesthetic in Poetry and Painting -- Part One Form and Structure -- Terminology across Time -- Poetry Films, Film Poems and Video Poems / Videopoems -- Pioneer Works -- Cinematic Poems -- Vita Futurista -- Film Poems -- Cinépoème -- Poetry Film | |
| 505 | 8 | |a England and the Documentary with Spoken Verse -- The Video Poem and Videopoem -- The First Poetry Film Festival -- Festival Time -- Similar Genres -- The Music Video -- The Short Film -- Separatist Classifications -- A Coda to Terminology -- Notes -- Realization and Structure -- Maker Topology -- Auteur -- Tom Konyves: Notes from his Videopoetry Manifesto -- Collaborative -- Poet and Film-Maker -- Poet Interpreting Film-Maker -- More than One Poet (Beyond the Workshop) -- Film-Maker, Composer and Poet -- Editors -- Group Work -- Workshops -- More than One Film-Maker -- Production Teams | |
| 505 | 8 | |a Adaptation and Translation -- What Is Poetry Film -- What Is Poetry? -- Visual and Concrete Poetry -- Types of Visual Metaphor in Film -- Renouncing Metaphor -- Let's Take Another Look -- Exposed Thought Processes -- Constructional Components within the Three Elements -- Naturalizing Construct: Eight Proposed Areas -- Reflexive Form and Content -- Examples of Handmade Techniques for Creating Images -- Pen, Crayon and Ink -- Cut-Out -- Notes -- Voice and Narrative -- Locating Voice -- Locating the Narrative Positionality of Voice in Poetry Films -- Register -- Voice as Speech Act | |
| 505 | 8 | |a Types of Voice: Inner (Intensional), Observational (Extensional) and Direct Address -- Voice Breaking Up -- The Protagonist: Pasolini and Free Indirect Discourse -- Sending a Message/Direct Address/Bearing Witness -- Voice and Place -- Dear Alison -- A Climbing Film-Poem -- Vatic Voice -- Multiple Voices -- Dual Voices/The Message/The Radio, Tannoy/The Witness -- Dual Voices/Bilingual and Multilingual -- Translation to English: The Problems of Subtitling -- Translation and the Hard of Hearing -- A Child's Voice -- Voice and Text/Image as One -- Absent Voice -- Note -- Time and Mind | |
| 505 | 8 | |a Projected Author Time and Structural Tripartite Time -- A Binding of Poetic (Linguistic) and Filmic Accumulative Time -- Narrated Time: Poetry and Film -- Time on the Page -- A Scale for Projected Narrative Time in Poetry Films -- The Dramatic Poetry Film -- The Uncontrollable Present -- The Controlled Present -- The Past Alone -- Past Alongside Present -- The Pervious Poetry Film -- At and through, Pervious Time -- Pervious Subjective and Objective Time -- Non-Temporal Pervious Time and Reverie -- Time(s) and Geopoetics -- Time and Place -- Constructing Dynamic Spatio-Temporality | |
| 500 | |a Place, the 'Real' and Framed and Unframed Space. | ||
| 520 | |a The first book of its kind, it classifies the different types of poetry film, shedding light on the fast-growing genre and citing works from poetry filmmakers worldwide. A ground-breaking industry bible for anyone interested in poetry, digital media, filmmaking, art and creative writing as well as poetry filmmakers. 60 col., 20 b/w illus. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Motion pictures |x History. | |
| 650 | 0 | |a Poetry. | |
| 650 | 2 | |a Poetry as Topic | |
| 650 | 6 | |a Cinéma |x Histoire. | |
| 650 | 6 | |a Poésie. | |
| 650 | 7 | |a poetry. |2 aat | |
| 650 | 7 | |a ART / Film & Video |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Poetry |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Tremlett, Sarah |t The Poetics of Poetry Film |d Bristol : Intellect Books Ltd,c2020 |z 9781789382686 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xw4c0 |z Texto completo |
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