Cargando…
Producing public television, producing public culture /
"From 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
c1998.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1237368077 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 970825s1998 njua obq 001 0 eng | ||
| 010 | |a 2021701039 | ||
| 040 | |a DLC |b eng |e pn |c DLC |d HS0 |d OCLCF |d EBLCP |d UKAHL |d YDX |d P@U |d LUN |d JSTOR |d OCLCO |d LUU |d OCLCQ | ||
| 019 | |a 1109255527 |a 1231610275 |a 1294390768 |a 1303395277 | ||
| 020 | |a 9780691225326 |q ebook | ||
| 020 | |a 069122532X | ||
| 020 | |z 0691044686 (cloth : alk. paper) | ||
| 020 | |z 0691044678 (pbk. : alk. paper) | ||
| 020 | |z 9780691044682 | ||
| 020 | |z 9780691044675 | ||
| 029 | 1 | |a AU@ |b 000068774192 | |
| 035 | |a (OCoLC)1237368077 |z (OCoLC)1109255527 |z (OCoLC)1231610275 |z (OCoLC)1294390768 |z (OCoLC)1303395277 | ||
| 037 | |a 22573/ctv19fkc7x |b JSTOR | ||
| 050 | 0 | 0 | |a PN1992.8.D6 |
| 072 | 7 | |a SOC |x 002000 |2 bisacsh | |
| 082 | 0 | 0 | |a 791.45/75 |2 21 |
| 084 | |a 05.36 |2 bcl | ||
| 084 | |a 24.33 |2 bcl | ||
| 049 | |a UAMI | ||
| 100 | 1 | |a Dornfeld, Barry, |d 1958- | |
| 245 | 1 | 0 | |a Producing public television, producing public culture / |c Barry Dornfeld. |
| 260 | |a Princeton, N.J. : |b Princeton University Press, |c c1998. | ||
| 300 | |a 1 online resource (x, 240 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Filmography: p. [234-235]. | ||
| 504 | |a Includes bibliographical references (p. [221]-233) and index. | ||
| 588 | |a Description based on print version record and CIP data provided by publisher; resource not viewed. | ||
| 505 | 0 | 0 | |t Studying Public Television as American Public Culture -- |t Childhood on the Contested Territory of Public Television in the United States -- |t Negotiating Documentary Production: Authorship and Imagined Audiences -- |t Public Television Documentary Poetics -- |t Cutting across Cultures: Public Television Documentary and Representations of Otherness -- |t Public Television Documentary and the Mediation of American Public Culture. |
| 520 | 1 | |a "From 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process itself -- examining, for example, how producers developed the series, negotiated with their academic advisors, and shaped footage shot around the world into seven programs. He presents the results of his fieldwork in this groundbreaking study -- one of the first to take an ethnographic approach to the production of a television show, as opposed to its reception." "Dornfeld begins with a broad discussion of public television's role in American culture and goes on to examine documentaries as a form of popular anthropology. Drawing on his observations of Childhood, he considers the documentary form as a kind of "imagining," in which both producers and viewers construct understandings of themselves and others, revealing their conceptions of culture and history and their ideologies of cultural difference and universality. He argues that producers of culture should also be understood as consumers who conduct their work through an active envisioning of the audience. Dornfeld explores as well how intellectual media professionals struggle with the institutional and cultural forces surrounding television that promote entertainment at the expense of education. The book provides a rare glimpse behind the scenes of a major documentary and demonstrates the value of an ethnographic approach to the study of media production. Book jacket."--Jacket | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Documentary television programs |x Production and direction. | |
| 650 | 0 | |a Public television. | |
| 650 | 6 | |a Documentaires télévisés |x Production et réalisation. | |
| 650 | 6 | |a Télévision publique. | |
| 650 | 7 | |a SOCIAL SCIENCE |x Anthropology |x General. |2 bisacsh | |
| 650 | 7 | |a Documentary television programs |x Production and direction. |2 fast |0 (OCoLC)fst00896104 | |
| 650 | 7 | |a Public television. |2 fast |0 (OCoLC)fst01083089 | |
| 650 | 7 | |a Massmedia |x sociala aspekter |z Förenta staterna. |2 sao | |
| 650 | 7 | |a Dokumentärfilm |z Förenta staterna. |2 sao | |
| 776 | 0 | 8 | |i Print version: |t Producing public television, producing public culture |d Princeton, N.J. : Princeton University Press, c1998. |z 0691044686 (cloth : alk. paper) |w (DLC) 97039819 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv19fvzmd |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 301815199 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_81464 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6452389 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH38249693 | ||
| 994 | |a 92 |b IZTAP | ||