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Performing #MeToo : How Not to Look Away /
Voices from diverse cultural and environmental contexts writing on forms of engagement with the topic of performing #MeToo - testimony, witnessing, interpretation, field reports. Includes people who speak from personal experience, as well as allies, activists, and scholars. Examines contemporary wor...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bristol :
Intellect Books Ltd,
2021.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
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| 016 | 7 | |a 020087557 |2 Uk | |
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| 020 | |a 9781789383829 | ||
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| 020 | |a 1789383838 |q (electronic bk.) | ||
| 020 | |z 9781789383812 | ||
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| 035 | |a (OCoLC)1235594518 |z (OCoLC)1235810926 | ||
| 037 | |a 3-180-9781789383836 |b Ingram Content Group | ||
| 037 | |a 22573/ctv36wg9fn |b JSTOR | ||
| 050 | 4 | |a HV6250.4.W65 |b M48 2021 | |
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| 082 | 0 | 4 | |a 305.42 |2 23 |
| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Performing #MeToo : |b How Not to Look Away / |c edited by Judith Rudakoff. |
| 264 | 1 | |a Bristol : |b Intellect Books Ltd, |c 2021. | |
| 300 | |a 1 online resource (262 p.) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Front Cover -- Half Title -- Performing #Me Too: Ho Not to Look Away -- Copyright information -- Table of contents -- Acknowledgements -- Introduction -- Performing #MeToo -- Performing #MeToo: How Not to Look Away -- Notes -- 1 "Vital Acts of Transfer": #MeToo and the Performance of Embodied Knowledge -- Reclaiming the Repertoire of #MeToo -- Rescripting the Repertoire: Time's Up and the Golden Globes Red Carpet Blackout -- Conclusion: Utopic Gestures -- Notes -- 2 "Bite the Bullet": The Practice of Protest as a Coping Mechanism -- The Economy of the Female Fear Factory | |
| 505 | 8 | |a Coming to Terms with the Past, a Term of Post-war, Post-genocide -- War? On Womxn -- War Metaphor -- The Practice of Protest: On the Line -- The Practice of Protest Continues -- Silence? -- The Practice of Protest: uNokuthula -- Aluta Continua -- Notes -- 3 Resisting Theatre: The Political in the Performative -- What Does a Woman Know? -- Resistance -- Conclusion -- Notes -- 4 Supporting Brave Spaces for Theatre-Makers Post-#MeToo:: A Chicago-Based Study on Rehearsing and Performing Intimacy in Theatre -- Introduction -- Background -- Galvanizing a Community -- Chicago Theatre Standards | |
| 505 | 8 | |a Brave Spaces -- Rehearsing Intimacy -- Chicago Theatres -- Intimacy Facilitators -- Moving Forward -- Notes -- 5 We Get It: Calling Out Sexism and Harassment in Australia's Live Performance Industry -- "Sexism Is Over" -- Rank -- Women in Australian Theatre -- "She's Just Being Sensitive" -- "Momentum for Change" -- Notes -- 6 Toward the Origin of Performing #MeToo: Franca Rame's The Rape as an Example of Personal and Political Theatre/Therapy -- Me Too Before #MeToo: Legacy and Change -- The Violence and the Drafting of the Text -- On the Stage | |
| 505 | 8 | |a An Incursion into the Glitter of Italian Saturday Night Television -- The Performance -- Issues of Meaning -- On the Internet -- Conclusion -- Notes -- 7 The Royal Court in the Wake of #MeToo -- "The Weinstein of British Theatre": London, October-November 2017 -- On Institutions -- The Royal Court: Public Action, Artistic Responses -- "Does #MeToo need a liberal male sticking his oar in?" -- Notes -- 8 Dissident Solidarities: Power, Pedagogy, Care -- Performing Ruptures -- Performing Testimony -- Rethinking Feminist Solidarities -- Notes | |
| 505 | 8 | |a 9 Conversations with Noura: Iraqi American Women and a Response to A Doll's House -- Notes -- 10 #MeToo: Theatre Women Share Their Stories -- Notes -- 11 Les Zoubliettes: Raging Through Laughter-a Feminist Disturbance -- Les Zoubliettes As Performance of #MeToo -- Conclusion: How Not to Look Away -- Notes -- 12 "I'm the person to speak about myself": Self-Declaration, Reversal of Power, and Solidarity in The Red Book -- The #MeToo Movement and the Collapse of the Existing World -- "I am Myself": Self-Declaration Against the World -- Reversal of Power in The Red Book -- The Creation of Solidarity | |
| 500 | |a The Silence Breakers and the Creation of a New Genealogy. | ||
| 520 | |a Voices from diverse cultural and environmental contexts writing on forms of engagement with the topic of performing #MeToo - testimony, witnessing, interpretation, field reports. Includes people who speak from personal experience, as well as allies, activists, and scholars. Examines contemporary work, and work from the pre-#MeToo era. 25 b/w illus. | ||
| 504 | |a Includes bibliographical references. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Sexual harassment of women. | |
| 650 | 6 | |a Harcèlement sexuel. | |
| 650 | 7 | |a PERFORMING ARTS / Theater / General |2 bisacsh | |
| 650 | 7 | |a MeToo movement |2 fast | |
| 700 | 1 | |a Rudakoff, Judith D., |d 1953- |e editor. | |
| 776 | 0 | 8 | |i Print version: |a Rudakoff, Judith |t Performing #MeToo |d Bristol : Intellect Books Ltd,c2021 |z 9781789383812 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv36xvtpv |z Texto completo |
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37942123 | ||
| 938 | |a YBP Library Services |b YANK |n 301894388 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37942122 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6461515 | ||
| 938 | |a EBSCOhost |b EBSC |n 2733990 | ||
| 994 | |a 92 |b IZTAP | ||