Alleviative Objects : Intersectional Entanglement and Progressive Racism in Caribbean Art /

The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink `Euro- and U.S.-centric' persp...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Frohnapfel, David, 1985- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : transcript-Verlag, [2021]
Colección:Postcolonial studies ; 43.
Temas:
Art, Haitian.
Art, Caribbean.
Intersectionality (Sociology)
Racism in art.
Affect.
Art.
Caribbean.
Cultural Anthropology.
Cultural Studies.
Decoloniality.
Haiti.
Installation Art.
Intersectionality.
Museology.
Museum.
Postcolonialism.
Racism.
Socially-engaged Art.
South American Art.
Whiteness.
Art haïtien.
Art antillais.
Intersectionnalité.
Racisme dans l'art.
SOCIAL SCIENCE / Anthropology / Cultural & Social.
SOCIAL SCIENCE / Anthropology / Cultural
Acceso en línea:Texto completo

MARC

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049 |a UAMI 
100 1 |a Frohnapfel, David,  |d 1985-  |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Alleviative Objects :  |b Intersectional Entanglement and Progressive Racism in Caribbean Art /  |c David Frohnapfel. 
264 1 |a Bielefeld :  |b transcript-Verlag,  |c [2021] 
264 4 |c ©2020 
300 |a 1 online resource (318 p.). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
490 1 |a Postcolonial Studies ;  |v 43 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Acknowledgements --  |t Glossary --  |t Introduction --  |t 1 Sharing Silences: Inter-klas Dialogues in the Art Scene of Port-au-Prince --  |t 2 Conditional Hospitality: Atis Rezistans in European and U.S. American Art Institutions --  |t 3 Gestures of Generosity: Politics of Emotions at the Ghetto Biennale in Port-au-Prince --  |t 4 Between Harmony and Anger: Exhibition Spaces by Eugène, Guyodo, Getho, and Papa Da --  |t 5 Disobedient Musealities: The Master's Tools Revisited --  |t Resume: Alleviative Objects, or Translating Black Suffering into White Pedagogy --  |t Bibliography --  |t List of Illustrations 
520 |a The global field of contemporary art is shaped by inter-racial conflicts. Alleviative Objects approaches Caribbean art through intersectional entanglements and combines decolonial epistemologies with critical whiteness studies and affect theory in order to rethink `Euro- and U.S.-centric' perspectives on art, race, and class. David Frohnapfel shows how progressive racism in the discourse on Haitian art recenters Whiteness by performing benign identifications with the artist group Atis Rezistans. While the study turns critically towards Whiteness, it also turns away from it and towards the compelling contributions of Haitian curators and artists to the decentralization of contemporary art. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jan 2021). 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Art, Haitian. 
650 0 |a Art, Caribbean. 
650 0 |a Intersectionality (Sociology) 
650 0 |a Racism in art. 
650 4 |a Affect. 
650 4 |a Art. 
650 4 |a Caribbean. 
650 4 |a Cultural Anthropology. 
650 4 |a Cultural Studies. 
650 4 |a Decoloniality. 
650 4 |a Haiti. 
650 4 |a Installation Art. 
650 4 |a Intersectionality. 
650 4 |a Museology. 
650 4 |a Museum. 
650 4 |a Postcolonialism. 
650 4 |a Racism. 
650 4 |a Socially-engaged Art. 
650 4 |a South American Art. 
650 4 |a Whiteness. 
650 6 |a Art haïtien. 
650 6 |a Art antillais. 
650 6 |a Intersectionnalité. 
650 6 |a Racisme dans l'art. 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural & Social.  |2 bisacsh 
650 7 |a SOCIAL SCIENCE / Anthropology / Cultural  |2 bisacsh 
650 7 |a Art, Caribbean.  |2 fast  |0 (OCoLC)fst00816084 
650 7 |a Art, Haitian.  |2 fast  |0 (OCoLC)fst00816363 
650 7 |a Intersectionality (Sociology)  |2 fast  |0 (OCoLC)fst01982537 
650 7 |a Racism in art.  |2 fast  |0 (OCoLC)fst01086652 
653 |a Affect. 
653 |a Art. 
653 |a Caribbean. 
653 |a Cultural Anthropology. 
653 |a Cultural Studies. 
653 |a Decoloniality. 
653 |a Haiti. 
653 |a Installation Art. 
653 |a Intersectionality. 
653 |a Museology. 
653 |a Museum. 
653 |a Postcolonialism. 
653 |a Racism. 
653 |a Socially-engaged Art. 
653 |a South American Art. 
653 |a Whiteness. 
830 0 |a Postcolonial studies ;  |v 43. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371cdnw  |z Texto completo 
938 |a De Gruyter  |b DEGR  |n 9783839455920 
938 |a EBSCOhost  |b EBSC  |n 2703827 
994 |a 92  |b IZTAP 

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