Printing terror : American horror comics as Cold War commentary and critique /

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'Printing Terror' places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Goodrum, Michael D., 1983- (Autor), Smith, Philip, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2021.
Temas:
Horror comic books, strips, etc. > United States > History and criticism.
Cold War in comics.
Race relations in comics.
Men in comics.
Masculinity in comics.
Victims in comics.
Bandes dessinées d'horreur > États-Unis > Histoire et critique.
Victims in comics
Race relations in comics
Men in comics
Masculinity in comics
Cold War in comics
Horror comic books, strips, etc.
United States
Comics criticism
Criticism, interpretation, etc.
Comics criticism.
Critiques de bandes dessinées et de romans graphiques.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • 'The dead - the slain - the unavenged' : trauma in the 1940s and 1950s
  • 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' : gender in the 1940s and 1950s
  • 'Confusion turns to fear' : race in the 1940s and 1950s
  • Monster kids : bridging the pre- and post-CCA eras
  • 'The war has done strange things to you' : trauma in the1960s and 1970s
  • 'This isn't a dream! This is really happening!' : gender in the1960s and 1970s
  • 'We are a species that fears itself most of all' : race in the1960s and 1970s
  • Conclusion : appropriating white male fear.

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