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Printing terror : American horror comics as Cold War commentary and critique /

'Printing Terror' places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changi...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Goodrum, Michael D., 1983- (Autor), Smith, Philip, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2021.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Goodrum, Michael D.,  |d 1983-  |e author. 
245 1 0 |a Printing terror :  |b American horror comics as Cold War commentary and critique /  |c Michael Goodrum and Philip Smith. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2021. 
264 4 |c ©2021 
300 |a 1 online resource (xii, 311 pages) :  |b illustrations (black and white) 
336 |a text  |b txt  |2 rdacontent 
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504 |a Includes bibliographical references and index. 
505 0 |a 'The dead - the slain - the unavenged' : trauma in the 1940s and 1950s -- 'Men are beasts! Wild beasts! Wild beasts must be destroyed!' : gender in the 1940s and 1950s -- 'Confusion turns to fear' : race in the 1940s and 1950s -- Monster kids : bridging the pre- and post-CCA eras -- 'The war has done strange things to you' : trauma in the1960s and 1970s -- 'This isn't a dream! This is really happening!' : gender in the1960s and 1970s -- 'We are a species that fears itself most of all' : race in the1960s and 1970s -- Conclusion : appropriating white male fear. 
520 8 |a 'Printing Terror' places horror comics of the Cold War in dialogue with the anxieties of their age. It rejects the narrative of horror comics as inherently, and necessarily, subversive and explores, instead, the ways in which these texts manifest white male fears over America's changing sociological landscape. 
588 0 |a Online resource; title from PDF title page (JSTOR platform, viewed July 28, 2023). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Horror comic books, strips, etc.  |z United States  |x History and criticism. 
650 0 |a Cold War in comics. 
650 0 |a Race relations in comics. 
650 0 |a Men in comics. 
650 0 |a Masculinity in comics. 
650 0 |a Victims in comics. 
650 6 |a Bandes dessinées d'horreur  |z États-Unis  |x Histoire et critique. 
650 7 |a Victims in comics  |2 fast 
650 7 |a Race relations in comics  |2 fast 
650 7 |a Men in comics  |2 fast 
650 7 |a Masculinity in comics  |2 fast 
650 7 |a Cold War in comics  |2 fast 
650 7 |a Horror comic books, strips, etc.  |2 fast 
651 7 |a United States  |2 fast 
655 7 |a Comics criticism  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
655 7 |a Comics criticism.  |2 lcgft 
655 7 |a Critiques de bandes dessinées et de romans graphiques.  |2 rvmgf 
700 1 |a Smith, Philip,  |d 1983-  |e author. 
776 0 8 |i Print version:  |a Goodrum, Michael D., 1983-  |t Printing terror.  |d Manchester : Manchester University Press, 2021  |z 9781526135926  |w (OCoLC)1222806402 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1dhpgv0  |z Texto completo 
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