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|2 23
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|a UAMI
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|a Brassett, James,
|e author.
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|a The ironic state :
|b British comedy and the everyday politics of globalization /
|c James Brassett.
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|a Bristol :
|b Bristol University Press,
|c [2021]
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|a 1 online resource
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|a text
|2 rdacontent
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|a computer
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|a online resource
|2 rdacarrier
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|a Front Cover -- The Ironic State: British Comedy and the Everyday Politics of Globalization -- Copyright information -- Table of contents -- Acknowledgments -- Introduction: Comedy and the Politics of (Global) Resistance -- 1 Comedy and politics: two approaches -- The instrumental approach -- The critical approach -- 2 The approach of this book -- 3 Outline -- 1 Everyday Comic Resistance in Global Context -- Introduction -- 1 The everyday turn in global politics -- Ambiguities of everyday resistance -- 2 Towards a performative politics of comic resistance
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|a 3 Subversion and failure in the work of Armando Iannucci -- The market life of failure -- Conclusion: The productivity of comic resistance? -- 2 The Satire Boom: Imperial Decline and the Rise of the Everyday Elite -- Introduction -- 1 Satirical resistance: empire, class and the self -- 2 Ambiguities of the satire boom -- 3 Irony: a new language of global politics -- Everyday class politics -- Conclusion -- 3 Alternative Comedy and Resistance to 'Thatcher's Britain' -- Introduction -- 1 The right on politics of alternative comedy -- 2 Alexei Sayle: resistance and recuperation -- Conclusion
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|a 4 Irony and the Liminality of Resistance -- Introduction: The anti-politics of irony? -- 1 Irony and the rise of new satire -- Chris Morris -- 2 Ambiguities of irony: Ali G and Ricky Gervais -- Ali G -- The Office -- 3 Towards a politics of liminality -- Conclusion: Irony and responsibility -- 5 Austerity and the Rise of Radical Comedy -- Introduction -- 1 Everyday politics of 'the system' -- Charlie Brooker -- 2 Comedy as political theory: anti-capitalist, radical democracy -- Russell Brand -- Stewart Lee -- 3 Satirical literacy -- Conclusion
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|a 6 Brexit, or How I Learned to Stop Worrying and Love the Single Market -- Introduction: Politicizing comedy -- 1 Brexit and the division of British comedy -- The comedy politician -- The comedy establishment -- 2 Embracing the culture wars? -- 3 A changing consensus? -- Conclusion -- 7 The Globalization of Comic Resistance? -- Introduction -- 1 The British are coming (again) -- 2 The state of British comedy -- Conclusion -- Bibliography -- Index -- Back Cover
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|a In this book, James Brassett builds on his prize-winning research to demonstrate how British comedy can provide intimate and vital understandings of the everyday politics of globalization in Britain.
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|a Description based on online resource; title from digital title page (viewed on February 10, 2021).
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR All Purchased
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650 |
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|a Comedy
|x Political aspects
|z Great Britain.
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650 |
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|a Satire, English.
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650 |
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|a Comédie
|x Aspect politique
|z Grande-Bretagne.
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650 |
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|a POLITICAL SCIENCE / Globalization.
|2 bisacsh
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650 |
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|a Comedy
|x Political aspects
|2 fast
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650 |
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|a Satire, English
|2 fast
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651 |
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|a Great Britain
|2 fast
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|i Print version:
|z 9781529208450
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1c9hmqr
|z Texto completo
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938 |
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|a Askews and Holts Library Services
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|a Oxford University Press USA
|b OUPR
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|n muse95860
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|a ProQuest Ebook Central
|b EBLB
|n EBL6427030
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|a EBSCOhost
|b EBSC
|n 2710915
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