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Female spectacle : the theatrical roots of modern feminism /
When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Explo...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Massachusetts :
Harvard University Press,
2000.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Glenn, Susan A. |q (Susan Anita), |e author. | |
| 245 | 1 | 0 | |a Female spectacle : |b the theatrical roots of modern feminism / |c Susan A. Glenn. |
| 246 | 3 | 0 | |a Theatrical roots of modern feminism |
| 264 | 1 | |a Cambridge, Massachusetts : |b Harvard University Press, |c 2000. | |
| 264 | 4 | |c ©2000 | |
| 300 | |a 1 online resource (x, 294 pages) : |b illustrations | ||
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| 504 | |a Includes bibliographical references (pages 227-273) and index. | ||
| 505 | 0 | 0 | |g 1. |t The Bernhardt effect: self-advertising and the age of spectacle -- |g 2. |t Mirth and girth: the politics of comedy -- |g 3. |t The strong personality: female mimics and the play of the self -- |g 4. |t The Americanization of Salome: sexuality, race, and the careers of the vulgar princess -- |g 5. |t "The eyes of the enemy": female activism and the paradox of theater -- |g 6. |t "Nationally advertised legs": how Broadway invented "the girls" -- |g 7. |t "Like all the rest of womankind only more so": the chorus girl problem and American culture -- |t Conclusion: the legacy of female spectacle. |
| 520 | |a When the French actress Sarah Bernhardt made her first American tour in 1880, the term "feminism" had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. Female spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.-- |c Provided by publisher. | ||
| 545 | 0 | |a Susan A. Glenn is Professor of History at the University of Washington. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
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| 650 | 0 | |a Women in the theater |z United States |x History |y 20th century. | |
| 650 | 0 | |a Women in the theater |z United States |x History |y 19th century. | |
| 650 | 0 | |a Feminism and theater |z United States. | |
| 650 | 0 | |a Actresses |z United States |v Biography. | |
| 650 | 6 | |a Femmes au théâtre |z États-Unis |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Femmes au théâtre |z États-Unis |x Histoire |y 19e siècle. | |
| 650 | 6 | |a Féminisme et théâtre |z États-Unis. | |
| 650 | 6 | |a Actrices |z États-Unis |v Biographies. | |
| 650 | 7 | |a Actresses. |2 fast |0 (OCoLC)fst00796328 | |
| 650 | 7 | |a Feminism and theater. |2 fast |0 (OCoLC)fst00922749 | |
| 650 | 7 | |a Women in the theater. |2 fast |0 (OCoLC)fst01178050 | |
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| 650 | 7 | |a Theater |2 gnd | |
| 650 | 7 | |a Feminismus |2 gnd | |
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| 650 | 1 | 7 | |a Feminisme. |2 gtt |
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| 650 | 7 | |a Women in the theater |z United States |x History |y 20th century. |2 nli | |
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| 776 | 0 | 8 | |i Print version: |a Glenn, Susan A. (Susan Anita). |t Female spectacle. |d Cambridge, Mass. : Harvard University Press, 2000 |z 9780674003330 |w (DLC) 00040683 |w (OCoLC)44084232 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1dhph8p |z Texto completo |
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