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On record : popular Afrikaans music & society : 1900-2017 /

"Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency o...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Van der Merwe, S. D. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Stellenbosch, South Africa : SUN MeDIA, [2017]
Temas:
Acceso en línea:Texto completo

MARC

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019 |a 1235845172 
020 |a 9781928357124  |q (electronic bk.) 
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020 |a 9781928357117  |q (electronic bk.) 
035 |a (OCoLC)1229133720  |z (OCoLC)1235845172 
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082 0 4 |a 306.48423  |2 23 
049 |a UAMI 
100 1 |a Van der Merwe, S. D.,  |e author. 
245 1 0 |a On record :  |b popular Afrikaans music & society : 1900-2017 /  |c S.D. van der Merwe. 
246 3 |a On record 
264 1 |a Stellenbosch, South Africa :  |b SUN MeDIA,  |c [2017] 
264 4 |c Ã2017 
300 |a 1 online resource (194 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references (pages [167]-179) and index. 
588 |a Description based on print version record. 
505 2 |a Gramophones, "warm patriots" and radio wars -- "Local flavour", tensions, and the rise of Afrikaner nationalism -- WWII, the SABC, FAK, and Boeremusiek? -- The apartheid regime, rock 'n roll and Afrikaner youth -- New voices, changing politics and growing subversion -- Alternative Afrikaans music towards the end of apartheid -- Nostalgia, fear and profit in post-apartheid Afrikaans music. 
520 |a "Investigates the interplay between popular music and the unfolding of Afrikaans culture politics from the start of the twentieth century to the present. It includes a search for the earliest recorded Afrikaans songs and documents subsequent phases of music development that reflect the agency of ordinary individuals - artists and listeners - against a background of fundamental societal and political change. Regards both the music mainstream and the alternative, and reveals, among other things, historical cases of compliance and resistance regarding the master narrative of Afrikaner nationalist ideology, the attempts by cultural entrepreneurs to establish authority over popular Afrikaans culture, class tension, lasting racial exclusivity, protest and censorship "--  |c Publisher's description. 
506 0 |a Open Access  |5 EbpS 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Open Access 
650 0 |a Popular music  |z South Africa  |x History and criticism. 
650 0 |a Popular music  |x Social aspects  |z South Africa. 
650 0 |a Music  |x Social aspects  |z South Africa. 
650 0 |a Music  |x Political aspects  |z South Africa. 
650 0 |a Afrikaners  |x Music  |x History and criticism. 
650 6 |a Musique populaire  |z Afrique du Sud  |x Histoire et critique. 
650 6 |a Musique populaire  |x Aspect social  |z Afrique du Sud. 
650 6 |a Musique  |x Aspect social  |z Afrique du Sud. 
650 6 |a Musique  |x Aspect politique  |z Afrique du Sud. 
650 6 |a Afrikaners  |x Musique  |x Histoire et critique. 
650 7 |a Music  |x Political aspects  |2 fast 
650 7 |a Music  |x Social aspects  |2 fast 
650 7 |a Popular music  |2 fast 
650 7 |a Popular music  |x Social aspects  |2 fast 
651 7 |a South Africa  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1nzfxjh  |z Texto completo 
938 |a EBSCOhost  |b EBSC  |n 2256654 
994 |a 92  |b IZTAP