|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1227523417 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu|||unuuu |
008 |
201221t20212021gw a ob 000 0 eng d |
040 |
|
|
|a N$T
|b eng
|e rda
|e pn
|c N$T
|d N$T
|d OCLCO
|d OCLCF
|d DEGRU
|d WAU
|d CLU
|d OCLCO
|d OCLCQ
|d OCLCO
|d OCLCQ
|d JSTOR
|d VRC
|
020 |
|
|
|a 9783839453315
|q (electronic bk.)
|
020 |
|
|
|a 3839453313
|q (electronic bk.)
|
020 |
|
|
|z 9783837653311
|
029 |
1 |
|
|a AU@
|b 000068573297
|
029 |
1 |
|
|a AU@
|b 000069899117
|
035 |
|
|
|a (OCoLC)1227523417
|
037 |
|
|
|a 22573/ctv36z781n
|b JSTOR
|
050 |
|
4 |
|a N72.T4
|b L38 2021
|
050 |
|
4 |
|a NX650.S47
|
072 |
|
7 |
|a SOC
|x 052000
|2 bisacsh
|
082 |
0 |
4 |
|a 700.903
|2 23
|
084 |
|
|
|a LH 61040
|q SEPA
|2 rvk
|0 (DE-625)rvk/94202:
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Lautenschlaeger, Graziele,
|d 1983-
|e author.
|
245 |
1 |
0 |
|a Sensing and making sense :
|b photosensitivity and light-to-sound translations in media art /
|c Graziele Lautenschlaeger.
|
246 |
3 |
0 |
|a Photosensitivity and light-to-sound translations in media art
|
264 |
|
1 |
|a Bielefeld :
|b Transcript Verlag,
|c [2021]
|
264 |
|
4 |
|c ©2021
|
300 |
|
|
|a 1 online resource (262 pages) :
|b illustrations (some color)
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
490 |
1 |
|
|a Media studies ;
|v v. 81
|
504 |
|
|
|a Includes bibliographical references.
|
588 |
0 |
|
|a Online resource; title from PDF title page (EBSCO, viewed December 22, 2020).
|
505 |
0 |
0 |
|t Frontmatter --
|t Contents --
|t Abstract --
|t Kurzfassung --
|t Acknowledgements --
|t Introduction --
|t Chapter 1 --
|t Chapter 2 --
|t Chapter 3 --
|t Final considerations --
|t List of figures --
|t References
|
520 |
|
|
|a Through a genealogy of photosensitive elements in media devices and artworks, this book investigates three dichotomies that impoverish debates and proposals in media art: material/immaterial, organic/machinic, and theory/practice. It combines a historical and analytical approach, through new materialism, media archaeology, cultural techniques and second-order cybernetics. Known media stories are reframed from an alternative perspective, elucidating photosensitivity as a metonymy to provide guiding criteria to art students, artists, curators and theoreticians - especially those who are committed to critical views of scientific and technological knowledge in aesthetic experimentations.
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Senses and sensation in art.
|
650 |
|
0 |
|a Light in art.
|
650 |
|
6 |
|a Sens et sensations dans l'art.
|
650 |
|
6 |
|a Lumière dans l'art.
|
650 |
|
7 |
|a SOCIAL SCIENCE
|x Media Studies.
|2 bisacsh
|
650 |
|
7 |
|a SOCIAL SCIENCE / Media Studies
|2 bisacsh
|
650 |
|
7 |
|a Light in art.
|2 fast
|0 (OCoLC)fst00998552
|
650 |
|
7 |
|a Senses and sensation in art.
|2 fast
|0 (OCoLC)fst01112589
|
830 |
|
0 |
|a Media studies (Transcript (Firm)) ;
|v v. 81.
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv371c715
|z Texto completo
|
938 |
|
|
|a De Gruyter
|b DEGR
|n 9783839453315
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2703808
|
994 |
|
|
|a 92
|b IZTAP
|