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Cinematic realism : Lukács, Kracauer and theories of the filmic real /
Explores classical and contemporary theories of cinematic realism to assess their overall key concepts and intellectual configurations. Explores classical theories of cinematic realism more deeply through an analysis of Lukacs/Bergson/time and Kracauer/Husserl/Space. Offers some conclusions on what...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2020]
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: Representation, perception and cinematic realism
- Bergson, the image and time
- Introduction to Lukács: essence, phenomena and temporality
- 'On the phenomenology of the creative process' (Lukács 1914)
- 'Thoughts towards an aesthetic of the cinema' (Lukács 1913)
- The specificity of the aesthetic (Lukács 1963)
- Husserl, Epochē and Lebenswelt
- Introduction to Kracauer: abstraction, redemption and modernity
- 'Photography' (Kracauer 1927)
- 'Introduction: Photography' and 'Basic Concepts', from Theory of film (Kracauer 1960)
- 'The Historical Approach' and 'The Historian's Journey', from History: the last things before the last (Kracauer 1968).