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|a UAMI
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|a Aitken, Ian,
|e author.
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|a Cinematic realism :
|b Lukács, Kracauer and theories of the filmic real /
|c Ian Aitken.
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|a Edinburgh :
|b Edinburgh University Press,
|c [2020]
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|a 1 online resource (310 pages) :
|b illustration
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|a text
|b txt
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|a Includes bibliographical references and index.
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|a Online resource; title from digital title page (viewed on January 08, 2021).
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|a Explores classical and contemporary theories of cinematic realism to assess their overall key concepts and intellectual configurations. Explores classical theories of cinematic realism more deeply through an analysis of Lukacs/Bergson/time and Kracauer/Husserl/Space. Offers some conclusions on what the central key concepts and intellectual configuration of cinematic realism are; and on what consequences flow from this. The issue of cinematic realism is important because the issue of realism, of the relationship between representation and reality, is important. If some forms of representation are closer to reality - however defined - than others, then this may also be the case with forms of filmic representation. In this book, Ian Aitken links the issue of cinematic realism to important questions concerning human experience, analysing the close similarity between the film image and visual perception, and how different theories of realism have sought to uncover the way film's relation to reality can be understood. Focusing on the writings of Georg Lukacs and Siegfried Kracauer, Cinematic Realism is a comprehensive exploration of cinematic realist theory.
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|a Introduction: Representation, perception and cinematic realism -- Bergson, the image and time -- Introduction to Lukács: essence, phenomena and temporality -- 'On the phenomenology of the creative process' (Lukács 1914) -- 'Thoughts towards an aesthetic of the cinema' (Lukács 1913) -- The specificity of the aesthetic (Lukács 1963) -- Husserl, Epochē and Lebenswelt -- Introduction to Kracauer: abstraction, redemption and modernity -- 'Photography' (Kracauer 1927) -- 'Introduction: Photography' and 'Basic Concepts', from Theory of film (Kracauer 1960) -- 'The Historical Approach' and 'The Historian's Journey', from History: the last things before the last (Kracauer 1968).
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|a JSTOR
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a Lukács, György,
|d 1885-1971.
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1 |
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|a Kracauer, Siegfried,
|d 1889-1966.
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1 |
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|a Kracauer, Siegfried,
|d 1889-1966.
|2 fast
|0 (OCoLC)fst00015229
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600 |
1 |
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|a Lukács, György,
|d 1885-1971.
|2 fast
|0 (OCoLC)fst00031351
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650 |
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|a Realism in motion pictures.
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650 |
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|a Réalisme au cinéma.
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650 |
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|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
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650 |
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|a Realism in motion pictures.
|2 fast
|0 (OCoLC)fst01091239
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776 |
0 |
8 |
|i Print version:
|z 1474441343
|z 9781474441346
|w (OCoLC)1136961542
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|u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1c29sff
|z Texto completo
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