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Antonioni and the aesthetics of impurity : remaking the image in the 1960's /
The book offers a radical rethinking of Michelangelo Antonioni's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2020]
|
| Colección: | Edinburgh studies in film and intermediality.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Nardelli, Matilde, |e author. | |
| 245 | 1 | 0 | |a Antonioni and the aesthetics of impurity : |b remaking the image in the 1960's / |c Matilde Nardelli. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2020] | |
| 300 | |a 1 online resource (xi, 236 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh Studies in Film and Intermediality | |
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgements and Illustrations; Introduction; Chapter 1: Impure Pictoriality: The Matter of Painting; Chapter 2: Performing the Mind: Interiority, Television, and Artificial Brains; Chapter 3: (Quietly) Noisy Images, Sonic Landscapes, Audiotape and 'the New Musicality'; Chapter 4: The 'Image-World' and The Reality of Photography; Chapter 5: Uncinematic Provocations and the Pursuit of Boredom. | |
| 520 | |a The book offers a radical rethinking of Michelangelo Antonioni's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. | ||
| 504 | |a Includes bibliographical references (pages 201-227) and index. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Antonioni, Michelangelo |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Antonioni, Michelangelo. |2 fast |0 (OCoLC)fst00042695 |
| 650 | 0 | |a Motion picture producers and directors |z Italy. | |
| 650 | 6 | |a Producteurs et réalisateurs de cinéma |z Italie. | |
| 650 | 7 | |a Motion picture producers and directors. |2 fast |0 (OCoLC)fst01027225 | |
| 651 | 7 | |a Italy. |2 fast |0 (OCoLC)fst01204565 | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Print version: |a Nardelli, Matilde. |t Antonioni and the aesthetics of impurity. |d Edinburgh : Edinburgh University Press, [2020] |z 9781474444064 |w (OCoLC)1117555393 |
| 830 | 0 | |a Edinburgh studies in film and intermediality. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctv182jrwp |z Texto completo |
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