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No power without an image : icons between photography and film /
"The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press,
[2020]
|
| Colección: | Edinburgh studies in film and intermediality.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 003 | OCoLC | ||
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| 100 | 1 | |a Saxton, Libby, |d 1975- |e author. | |
| 245 | 1 | 0 | |a No power without an image : |b icons between photography and film / |c Libby Saxton. |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2020] | |
| 264 | 4 | |c Ã2020 | |
| 300 | |a 1 online resource (viii, 183 pages) : |b illustrations. | ||
| 336 | |a text |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a computer |2 rdamedia | ||
| 338 | |a online resource |2 rdacarrier | ||
| 490 | 1 | |a Edinburgh studies in film and intermediality | |
| 504 | |a Includes bibliographical references, filmography and index. | ||
| 505 | 0 | |a Introduction -- 1. Paper, water, ice: the falling soldier -- 2. The double life of the Gestapo informer -- 3. Apocalyptic stillness: The self-immolators -- 4. The face of the crowd: Che -- 5. Film frame, film still, star portrait: The Marianne of '68 -- Epilogue: Protesting women. | |
| 520 | |a "The first detailed study of what filmic images can tell us about iconic photographs, No Power Without an Image reveals the multifaceted connections between seven celebrated photographs of political struggles, taken between 1936 and 1968, and cinema in all its forms. Moving from the 'paper cinema' of magazines via newsreels and film journals, to documentary, fiction and experimental films, this fascinating book draws on original archival research and multidisciplinary icon theory to explore new ways of thinking about the confluence of still and moving images"-- |c Provided by publisher. | ||
| 545 | 0 | |a Libby Saxton is Reader in Film Studies at Queen Mary, University of London. | |
| 588 | 0 | |a Print version record. | |
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 650 | 0 | |a Photography |x History. | |
| 650 | 6 | |a Photographie |x Histoire. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 776 | 0 | 8 | |i Print version: |a Saxton, Libby, 1975- |t No power without an image. |d Edinburgh : Edinburgh University Press, 2020 |z 1474463150 |w (OCoLC)1136960206 |
| 830 | 0 | |a Edinburgh studies in film and intermediality. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.3366/j.ctv1c29rs4 |z Texto completo |
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