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Heinrich Neuhaus A Life beyond Music /

"Heinrich Neuhaus (1888-1964) was one of the most charismatic and sought after pianist-pedagogues of the twentieth century, earning a formidable reputation in the West as one of the pillars of Russian pianism through the success of his star pupils Emil Gilels and Sviatoslav Richter, and his boo...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Razumovskaya, Maria
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Rochester, NY : University of Rochester Press, [2018].
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Heinrich Neuhaus  |b A Life beyond Music /  |c Maria Razumovskaya. 
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490 1 |a Eastman studies in music,  |x 1071-9989 ;  |v v. 148 
505 0 |a Introduction -- 1. Cosmopolitan wanderings -- 2. A return to Russia -- 3. Becoming a poet of a belated silver age -- 4. Heinrich the great : between Russian and international musings -- 5. Not ordinary pedagogy -- Conclusion. 
520 |a "Heinrich Neuhaus (1888-1964) was one of the most charismatic and sought after pianist-pedagogues of the twentieth century, earning a formidable reputation in the West as one of the pillars of Russian pianism through the success of his star pupils Emil Gilels and Sviatoslav Richter, and his book About the Art of Piano Playing. Maria Razumovskaya's book is the first critical study of this masterful artist. It explores what went on in his teaching studio but also seeks to understand the vibrant circumstances that underpinned Neuhaus's unique outlook and approach. These circumstances include his formative years of study in Europe alongside Karol Szymanowski (his cousin) and the renowned pianist Artur Rubinstein, the turbulence of life during the Russian Civil War, Neuhaus's meteoric rise to fame in Moscow, and his lifelong friendship with the poet Boris Pasternak. The book draws on previously unseen documents relating to Neuhaus's arrest and imprisonment in the infamous Lubyanka for criticizing the Soviet regime. By revealing how these influences helped form Neuhaus's distinct vision of a performer's subjectivity - what he called an artist's autopsychography - the book emphasizes important aesthetic principles and practices that were adopted by creative artists eager to escape the banality and limitations imposed by Socialist Realism. Maria Razumovskaya is a recital pianist and researcher, and teaches at the Guildhall School of Music and Drama."--Page 4 de la couverture. 
588 |a Description based on print version record. 
504 |a Includes bibliographical references and index. 
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