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Bravura : virtuosity and ambition in early modern European painting /
The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter's distinct materials,...
| Clasificación: | Libro Electrónico |
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| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[2021]
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Suthor, Nicola, |e author. | |
| 245 | 1 | 0 | |a Bravura : |b virtuosity and ambition in early modern European painting / |c Nicola Suthor. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [2021] | |
| 300 | |a 1 online resource : |b illustrations (some color) | ||
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| 504 | |a Includes bibliographical references and index. | ||
| 520 | 8 | |a The painterly style known as bravura emerged in sixteenth-century Venice and spread throughout Europe during the seventeenth century. While earlier artistic movements presented a polished image of the artist by downplaying the creative process, bravura celebrated a painter's distinct materials, virtuosic execution, and theatrical showmanship. This resulted in the further development of innovative techniques and a popular understanding of the artist as a weapon-wielding acrobat, impetuous wunderkind, and daring rebel. In Bravura, Nicola Suthor offers the first in-depth consideration of bravura as an artistic and cultural phenomenon. Through history, etymology, and in-depth analysis of works by such important painters as Fran ois Boucher, Caravaggio, Francisco Goya, Frans Hals, Peter Paul Rubens, Tintoretto, and Diego Velazquez, Suthor explores the key elements defining bravura's richness and power. Suthor delves into how bravura's unique and groundbreaking methods-visible brushstrokes, sharp chiaroscuro, severe foreshortening of the body, and other forms of visual emphasis-cause viewers to feel intensely the artist's touch. Examining bravura's etymological history, she traces the term's associations with courage, boldness, spontaneity, imperiousness, and arrogance, as well as its links to fencing, swordsmanship, henchmen, mercenaries, and street thugs. Suthor discusses the personality cult of the transgressive, self-taught, antisocial genius, and the ways in which bravura artists, through their stunning displays of skill, sought applause and admiration.0Filled with captivating images by painters testing the traditional boundaries of aesthetic excellence, 'Bravura' raises important questions about artistic performance and what it means to create art. | |
| 588 | 0 | |a Online resource; title from digital title page (viewed on March 03, 2021). | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t BRAVURA -- |t Introduction -- |t 1 Celebrations of violence -- |t 2 The figural tour de force -- |t 3 The spatial tour de force -- |t 4 Bravura as painterly style -- |t 5 Communicating artifice -- |t 6 Economies of practice -- |t 7 Arte-factum: the feminizing bravura -- |t 8 Endangering the youth -- |t 9 The academic response -- |t 10 Reenactments and echoes -- |t Notes -- |t Bibliography -- |t Index -- |t Photo Credits |
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| 650 | 0 | |a Painting, Late Renaissance. | |
| 650 | 0 | |a Painting |x Technique. | |
| 650 | 6 | |a Peinture de la Renaissance |x Renaissance tardive. | |
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| 650 | 7 | |a Painting |x Technique |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Suthor, Nicola. |t Bravura : Virtuosity and Ambition in Early Modern European Painting. |d Princeton : Princeton University Press, ©2021 |z 9780691204581 |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv131btgf |z Texto completo |
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