Cargando…

A gust of photo-Philia : photography in the art museum /

Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the s...

Descripción completa

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Moschovi, Alexandra (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leuven : Leuven University Press, 2020.
Colección:Lieven Gevaert series ; v. 29.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a2200000 i 4500
001 JSTOR_on1225947145
003 OCoLC
005 20231005004200.0
006 m o d
007 cr |n|||||||||
008 201207s2020 be a ob 001 0 eng d
040 |a YDX  |b eng  |e rda  |e pn  |c YDX  |d JSTOR  |d OCLCO  |d N$T  |d UKAHL  |d OCLCF  |d YDXIT  |d ANV  |d OCLCO  |d OCL  |d OCLCO  |d OCLCQ  |d OCLCO  |d QGK  |d K6U  |d OCLCQ  |d UIU  |d OCLCO 
020 |a 9789461663696  |q (electronic book) 
020 |a 9461663692  |q (electronic book) 
020 |z 9789462702424  |q (print) 
020 |z 946270242X  |q (print) 
029 1 |a AU@  |b 000068434345 
029 1 |a AU@  |b 000074123269 
035 |a (OCoLC)1225947145 
037 |a 22573/ctv15c4h9q  |b JSTOR 
050 4 |a N410  |b .M67 2020 
050 4 |a TR6.A1  |b M67 2020 
082 0 4 |a 708  |2 23 
049 |a UAMI 
100 1 |a Moschovi, Alexandra,  |e author. 
245 1 2 |a A gust of photo-Philia :  |b photography in the art museum /  |c Alexandra Moschovi. 
264 1 |a Leuven :  |b Leuven University Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (329 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 1 |a Lieven Gevaert series ;  |v vol. 29 
504 |a Includes bibliographical references and index. 
520 8 |a Photography was long regarded as a "middlebrow" art by the art institution. Yet, at the turn of the millennium it became the hot, global art of our time. In this book - part institutional history, part account of shifting photographic theories and practices - Alexandra Moschovi tells the story of photography?s accommodation in and as contemporary art in the art museum. Archival research of key exhibitions and the contrasting collecting policies of MoMA, Tate, the Guggenheim, the V & A, and the Centre Pompidou offer new insights into how art as photography and photography as art have been collected and exhibited since the 1930s. Moschovi argues that this accommodation not only changed photography?s status in art, culture, and society, but also played a significant role in the rebranding of the art museum as a cultural and social site 
588 0 |a Online resource; title from PDF title page (viewed February 22, 2021). 
505 0 |a Episode 2: Passages Between Media -- Episode 3: What is (Museum) Photography After All? -- Postscript -- Notes -- Bibliography 
505 0 |a Art as Photography, Photography as Art -- Art as Photography -- The Unique Original Copy -- Who's Afraid of Contemporary Art? -- A Photo-Philic Turn -- Embracing the Vernacular -- Photographies and Histories -- Engaging New Audiences -- Postmedia Pictures -- A "Postmedia" Collection in the Making -- A Global Museum -- Hybrid Images -- Accommodating the "Polymorphous" Photographic -- A New Poetics of the Photographic Image -- Between Images -- Photography and the French State -- A Postmodern Museum -- A Collection for the Nation -- Episode 1: Plasticity and Hybridity 
505 0 |a Intro -- Preface -- Acknowledgments -- Introduction -- A Foot in the Museum's Door -- A Gust of Photo-Philia -- The Question of the Medium -- The Structure of the Book -- Photography Itself -- What is "Camera Esthetics"? -- A "Universal" Language -- Photography Itself -- "More Than One Photography" -- New Stories of Modern Art -- Navigating an "Ocean of Images" -- The Art(s) of Photography -- Art Education for "All Classes" -- A Collection for the Art of Photography -- Between Form and Function -- Toward the "Bigger Picture" -- Pluralism and Participation 
590 |a JSTOR  |b Books at JSTOR Evidence Based Acquisitions 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Photography  |v Exhibitions. 
650 0 |a Art museums  |v Exhibitions. 
650 0 |a Art museums  |x Collection management. 
650 0 |a Photography, Artistic. 
650 0 |a Photography museums. 
650 6 |a Photographie  |v Expositions. 
650 6 |a Musées d'art  |x Gestion des collections. 
650 6 |a Photographie artistique. 
650 6 |a Musées de la photographie. 
650 7 |a art photography.  |2 aat 
650 7 |a Photography  |2 fast 
650 7 |a Art museums  |x Collection management  |2 fast 
650 7 |a Art museums  |2 fast 
650 7 |a Photography, Artistic  |2 fast 
650 7 |a Photography museums  |2 fast 
655 7 |a Exhibition catalogs  |2 fast 
776 0 8 |i Print version:  |z 946270242X  |z 9789462702424  |w (OCoLC)1191195098 
830 0 |a Lieven Gevaert series ;  |v v. 29. 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1595n2n  |z Texto completo 
938 |a Askews and Holts Library Services  |b ASKH  |n AH37638190 
938 |a EBSCOhost  |b EBSC  |n 2570025 
938 |a YBP Library Services  |b YANK  |n 301789789 
994 |a 92  |b IZTAP