The Turkish long-necked lute saz or balama

The saz or bağlama, a generic name for long-necked lutes in Turkey, plays an important role in Turkish musical culture. This volume focusses on the instrument's cultural-historical background while briefly discussing various saz or bağlama types and their construction, tuning, and playing tec...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [S.l.] : ARCHAEOPRESS, 2020.
Edición:1ST ED.
Temas:
Bağlama > Social aspects > Turkey.
Bağlama > Turkey.
Musical instruments > Turkey.
Music > Social aspects > Turkey.
Instruments de musique > Turquie.
Bağlama
Music > Social aspects
Musical instruments
Turkey
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Title Page
  • Copyright Page
  • Quote
  • Dedication
  • Contents
  • Preface and Acknowledgements
  • General Introduction
  • Chapter-1 Historical Background
  • Tanbûr, Saz, Bağlama
  • Figure 1. Bağlama (3), bozuk (2), and iki telli (1). Engraving Essai sur la musique ancienne et moderne of Jean-Benjamin de Laborde.
  • © Jean-Benjamin de Laborde. Essai sur la musique ancienne et moderne.
  • Figure 2. The Ottoman tanbûr (tanbour kabyr tourky) in the centre, to the left the tanbour charqy and the small tanbour boulghâry, and on the right by the tanbour bouzourk and the small tanbour baghlama. Engraving Description de l'Égypte ou recueil des ob
  • © Villoteau, G-A. Description de l'Égypte ou recueil des observations et de recherches qui ont été faites en Egypte. Des instrumens a cordes connus en Egypte. Planches. Planche AA, Tome 2: E.M. Vol II. PL. AA.
  • Early and Late Antiquity
  • The Spike Lute
  • Figure 3. Spike lute player (bottom left) on an imprint of a cylinder seal featuring the Akkadian God of ritual and purification Ea on his throne. Akkadian cylinder seal, 2340-2284 BC.
  • © Trustees British Museum, London. BM 89096.
  • The Necked Lute
  • Figure 4. Drawing of an excavated Egyptian spike tortoise shell lute (A) from Deir el-Medina, c. 15th century BC, and two spike bowl lutes (B and C) from Abusir el-Meleq, c. 8th century BC.
  • © Courtesy Eichmann, R. The Design of Ancient Egyptian Spike Lutes, modified figure 1, page 368.
  • Figure 5. Inandık vase, Central Anatolia, 16th century BC (left). Detail spike lute player (middle). Drawing spike lute player (right).
  • © Author, Ankara Archaeological Museum, Ankara.
  • © Yapı Kredi Yayınları, Istanbul. Doğan-Alparslan, M. and M. Alparslan (eds). Hititler. Bir Anadolu Imparatorluğu: 369, 588.
  • The Sâsânian Tunbûr
  • Figure 6. Draped female playing a pandoura. Cyprus figurine, late 4th century BC (left). Draped female playing a pandoura. To her left, a women is holding an aulos. Marble relief Mantineia temple built in honour of Leto and her children Apollo and Artemis
  • © Author, British Museum, London. BM 1919.6-20.7.
  • © Courtesy National Archaeological Museum, Athens. Inv. nr. 216.
  • Figure 7. Female torso with a spike lute, 312 BC-AD 129 (left). Female torso with a lute of which the two incised lines on the pear-shaped resonator could be the lower part of the rod-shaped neck of a spike lute or, although debatable, the two strings of
  • © Iraq Museum, Baghdâd. Inv. nr. 72736.
  • © Staatlichen Museen, Vorderasiatisches Museum, Berlin. VAB Bab 345.

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