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Seeing through closed eyelids : Giuseppe Penone and the nature of sculpture /

"Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Mangini, Elizabeth, 1974- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Toronto ; Buffalo ; London : University of Toronto Press, [2021]
Colección:Toronto Italian studies.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Mangini, Elizabeth,  |d 1974-  |e author. 
245 1 0 |a Seeing through closed eyelids :  |b Giuseppe Penone and the nature of sculpture /  |c Elizabeth Mangini. 
264 1 |a Toronto ;  |a Buffalo ;  |a London :  |b University of Toronto Press,  |c [2021] 
300 |a 1 online resource. 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Toronto Italian studies 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction: His Being in the Twenty-Second Year of Life at a Fantastic Hour -- Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time) -- Conclusion: An Ontology of Sculpture – Form, Process, and Palimpsest 
520 |a "Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career--from his emergence in the context of 1960s Arte Povera to his position as a preeminent contemporary artist today--Mangini demonstrates that Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. This approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as well as a wider view to the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism."--  |c Provided by publisher. 
588 |a Description based on online resource; title from digital title page (viewed on May 04, 2021). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
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600 1 0 |a Penone, Giuseppe  |x Criticism and interpretation. 
600 1 7 |a Penone, Giuseppe  |2 fast 
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655 7 |a Criticism, interpretation, etc.  |2 fast 
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