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|a 9789048537075
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|b .S54 2020
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|a 791.4375
|2 23
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|a UAMI
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|a Siewert, Senta,
|e author.
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|a Performing moving images :
|b access, archives and affects /
|c Senta Siewert.
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|a Amsterdam :
|b Amsterdam University Press,
|c [2020]
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|a 1 online resource
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|a text
|b txt
|2 rdacontent
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|a computer
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|a online resource
|b cr
|2 rdacarrier
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|a Framing Film
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|a Online resource; title from digital title page (viewed on December 23, 2020).
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|a Intro -- Table of Contents -- Introduction: Experimental Cinema, Expanded Cinema, and Artist's Film -- Chapter 1. Access: Agents, Archives -- Archive -- Whether to preserve or to show -- Programming -- Historiography in the making -- Curating -- Montage of contexts -- Case study: Arsenal -- Living Archive Project, Berlin -- Expanded cinema -- Expanded consciousness and event -- Case study: Forum Expanded, Berlin Film Festival -- Case study: International Short Film Festival, Oberhausen -- Case study: Anthony McCall's Line Describing a Cone -- Archival impulse -- Archive fever -- Notes
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|a Historiography -- Films that make history -- Case study: The Realm of Possibilities 4 -- Access: Diamonds, Enter, Fin -- Documents -- Testifying the past -- Found footage -- Sampling and remixing images and music -- Experimental music videos in museums -- Case study Deutsches Filminstitut Filmmuseum, Frankfurt -- Audio-visual heritage -- Expanded heritage -- Memory -- Joyful archive of experiences -- Experimental films and philosophy -- Notes -- Bibliography -- Outlook -- Notes -- Conclusion -- Acknowledgements -- Illustrations -- General bibliography -- Index
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|a Performing Moving Images: Access, Archive and Affects presents institutions, individuals and networks who have ensured experimental films and Expanded Cinema of the 1960s and 1970s are not consigned to oblivion. Through a comparison of recent international case studies from festivals, museums, and gallery spaces, the book analyzes their new contexts, and describes the affective reception of those events. The study asks: what is the relationship between an aesthetic experience and memory at the point where film archives, cinema, and exhibition practices intersect? What can we learn from re-screenings, re-enactments, and found footage works, that are using archival material? How does the affective experience of the images, sounds and music resonate today? Performing Moving Images: Access, Archive and Affects proposes a theoretical framework from the perspective of the performative practice of programming, curating, and reconstructing, bringing in insights from original interviews with cultural agents together with an interdisciplinary academic discourse.
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|a JSTOR
|b Books at JSTOR All Purchased
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a JSTOR
|b Books at JSTOR Evidence Based Acquisitions
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|a Film archives.
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|a Experimental films
|x History
|y 20th century.
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|a Archives cinématographiques.
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|a Theory of art.
|2 bicssc
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|a Exhibition catalogues and specific collections.
|2 bicssc
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|a Film theory and criticism.
|2 bicssc
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|a Archiving, preservation and digitisation.
|2 bicssc
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|a ART / Collections, Catalogs, Exhibitions / General.
|2 bisacsh
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|a ART / Film & Video.
|2 bisacsh
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|a LANGUAGE ARTS & DISCIPLINES / Library & Information Science / Archives & Special Libraries.
|2 bisacsh
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|a PERFORMING ARTS / Film & Video / History & Criticism.
|2 bisacsh
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|a Experimental films
|2 fast
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|a Film archives
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|a 1900-1999
|2 fast
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|a History
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|i Print version:
|a Siewert, Senta.
|t Performing Moving Images : Access, Archives and Affects.
|d Amsterdam : Amsterdam University Press, ©2020
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|a Framing film (Amsterdam, Netherlands)
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|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1b9f6d1
|z Texto completo
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|a Amsterdam University Press
|b AUPA
|n 9789048537075
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938 |
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|a Digitalia Publishing
|b DGIT
|n DIGAMSTUP0250
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|a YBP Library Services
|b YANK
|n 16951493
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|a Askews and Holts Library Services
|b ASKH
|n AH38083757
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|a ProQuest Ebook Central
|b EBLB
|n EBL6419195
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938 |
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|a EBSCOhost
|b EBSC
|n 2697847
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994 |
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|a 92
|b IZTAP
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