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Narrative and Narration Analyzing Cinematic Storytelling.
Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. He distills the basic components of cinematic storytelling into a set of core concepts.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Columbia University Press,
2020.
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| Colección: | Short cuts.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 001 | JSTOR_on1224361099 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 201128s2020 nyu o ||| 0 eng d | ||
| 040 | |a EBLCP |b eng |c EBLCP |d OCLCO |d JSTOR |d EBLCP |d OCLCO |d DEGRU |d OCLCF |d OCLCO |d OCLCQ | ||
| 020 | |a 9780231543590 | ||
| 020 | |a 023154359X | ||
| 029 | 1 | |a AU@ |b 000068434204 | |
| 029 | 1 | |a AU@ |b 000067195162 | |
| 035 | |a (OCoLC)1224361099 | ||
| 037 | |a 22573/ctv19xbj6g |b JSTOR | ||
| 050 | 4 | |a PN1995 | |
| 072 | 7 | |a PER |x 004030 |2 bisacsh | |
| 072 | 7 | |a LIT |x 006000 |2 bisacsh | |
| 082 | 0 | 4 | |a 791.4301 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Buckland, Warren. | |
| 245 | 1 | 0 | |a Narrative and Narration |h [electronic resource] : |b Analyzing Cinematic Storytelling. |
| 260 | |a New York : |b Columbia University Press, |c 2020. | ||
| 300 | |a 1 online resource (151 p.). | ||
| 490 | 1 | |a Short Cuts | |
| 500 | |a Description based upon print version of record. | ||
| 520 | |a Warren Buckland provides a clear and accessible introduction that explains how narrative and narration work using straightforward language. He distills the basic components of cinematic storytelling into a set of core concepts. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Preface -- |t Acknowledgments -- |t PART 1. THE BASICS -- |t 1 The Emergence of Narrative, Narration, and Narrative Agents in Early Cinema (The Gay Shoe Clerk) -- |t 2 Narrative Structure in Classical and Contemporary Hollywood (Hitchcock and James Bond) -- |t 3 Narration (Gone Girl, beDevil, and Jurassic Park) -- |t 4 Enunciation and Reflexivity (The Grand Budapest Hotel and Marnie) -- |t PART 2. TYPES OF STORYTELLING -- |t 5 Feminism, Narrative, Authorship (Gone Girl and Orlando) -- |t 6 Art Cinema Narration (Alice in the Cities and Inland Empire) -- |t 7 Unreliable Narration and Puzzle Films (You Only Live Once, Stage Fright, and The Butterfly Effect) -- |t 8 Videogame Logic (The Fifth Element, Inception, and Source Code) -- |t Coda -- |t Works Cited -- |t Index |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Narration (Rhetoric) | |
| 650 | 0 | |a Motion picture authorship. | |
| 650 | 6 | |a Narration. | |
| 650 | 6 | |a Cinéma |x Art d'écrire. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Motion picture authorship. |2 fast |0 (OCoLC)fst01027122 | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a Narration (Rhetoric) |2 fast |0 (OCoLC)fst01032927 | |
| 776 | 0 | 8 | |i Print version: |a Buckland, Warren |t Narrative and Narration : Analyzing Cinematic Storytelling |d New York : Columbia University Press,c2020 |
| 830 | 0 | |a Short cuts. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.7312/buck18143 |z Texto completo |
| 938 | |a De Gruyter |b DEGR |n 9780231543590 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6173019 | ||
| 994 | |a 92 |b IZTAP | ||