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Realist cinema as world cinema : non-cinema, intermedial passages, total cinema /

This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Nagib, Lúcia (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2020]
Colección:Film Culture in Transition
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Realist cinema as world cinema :  |b non-cinema, intermedial passages, total cinema /  |c Lúcia Nagib. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (300 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a Film Culture in Transition 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t List of Illustrations --  |t Acknowledgements --  |t Introduction --  |t Part I. Non-cinema --  |t 1. The Death of (a) Cinema --  |t 2. Jafar Panahi's Forbidden Tetralogy --  |t 3. Film as Death --  |t 4. The Blind Spot of History --  |t Part II. Intermedial Passages --  |t 5. The Geidōmono Genre and Intermedial Acting in Ozu and Mizoguchi --  |t 6. Intermedial History-Telling --  |t 7. Passages to Reality --  |t Part III. Towards Total Cinema --  |t 8. The Reality of Art --  |t 9. Historicising the Story through Film and Music --  |t 10. Total Cinema as Mode of Production --  |t Bibliography --  |t Index 
520 |a This book presents the bold and original proposal to replace the general appellation of 'world cinema' with the more substantive concept of 'realist cinema'. Veering away from the usual focus on modes of reception and spectatorship, it locates instead cinematic realism in the way films are made. The volume is structured across three innovative categories of realist modes of production: 'non-cinema', or a cinema that aspires to be life itself; 'intermedial passages', or films that incorporate other artforms as a channel to historical and political reality; and 'total cinema', or films moved by a totalising impulse, be it towards the total artwork, total history or universalising landscapes. Though mostly devoted to recent productions, each part starts with the analysis of foundational classics, which have paved the way for future realist endeavours, proving that realism is timeless and inherent in cinema from its origin. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020). 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Open Access 
650 0 |a Realism in motion pictures. 
650 4 |a Cinematic Authorship. 
650 4 |a Cinematic Realism. 
650 4 |a Film, Media and Communication. 
650 4 |a Intermediality. 
650 4 |a National Cinemas. 
650 4 |a World Cinema. 
650 6 |a Réalisme au cinéma. 
650 7 |a Film theory and criticism.  |2 bicssc 
650 7 |a Film: styles and genres.  |2 bicssc 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
650 7 |a Realism in motion pictures.  |2 fast  |0 (OCoLC)fst01091239 
653 |a Cinematic Authorship. 
653 |a Cinematic Realism. 
653 |a Intermediality. 
653 |a National Cinemas. 
653 |a World Cinema. 
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