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Post-cinema : Cinema in the Post-art Era /

Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order t...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Andrea, Pinotti (Contribuidor, contribtor.), André, Gaudreault (Contribuidor, contribtor.), Annie van den, Oever (Contribuidor, contribtor.), Chateau, Dominique (Editor ), Christophe, Génin (Contribuidor, contribtor.), Christophe, Viart (Contribuidor, contribtor.), Céline, Scemama (Contribuidor, contribtor.), Dominique, Chateau (Contribuidor, contribtor.), Dudley, Andrew (Contribuidor, contribtor.), Eugénie, Zvonkine (Contribuidor, contribtor.), Francesco, Casetti (Contribuidor, contribtor.), François, Jost (Contribuidor, contribtor.), Gabriela, Rivadeneira Crespo (Contribuidor, contribtor.), Giovanna, Fossati (Contribuidor, contribtor.), Gérard, Courant (Contribuidor, contribtor.), José, Moure (Contribuidor, contribtor.), Malte, Hagener (Contribuidor, contribtor.), Miriam, De Rosa (Contribuidor, contribtor.), Moure, José (Editor ), Philippe, Marion (Contribuidor, contribtor.), Richard, Conte (Contribuidor, contribtor.), Victor, Burgin (Contribuidor, contribtor.), Wang, Bing (Contribuidor, contribtor.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amsterdam : Amsterdam University Press, [2020]
Colección:The Key Debates: Mutations and Appropriations in European Film Studies
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Post-cinema :  |b Cinema in the Post-art Era /  |c Dominique Chateau, José Moure. 
264 1 |a Amsterdam :  |b Amsterdam University Press,  |c [2020] 
264 4 |c ©2020 
300 |a 1 online resource (376 p.). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a The Key Debates: Mutations and Appropriations in European Film Studies 
505 0 0 |t Frontmatter --  |t Table of Contents --  |t Editorial --  |t Acknowledgments --  |t 1. Introduction --  |t PART I A Tribute to Agnès Varda --  |t 2. The Incipit of Beaches of Agnès (Les plages d'Agnès) An Installation in the Form of a Self-portrait --  |t PART II The End of Cinema? --  |t 3. Announcing the End of the Film Era. The Lumière Galaxy: Seven Key Words for the Cinema to Come by Francesco Casetti, Columbia University Press, 2015 --  |t 4. Cinema Hangs Tough --  |t 5. Jean-Luc Godard's Histoire(s) du cinéma or Cinema Surpasses Itself --  |t PART III Technological Transformations --  |t 6. Mutation, Appropriation and Style --  |t 7. The Twenty-First-Century Postcinematic Ecology of the Film Museum. Theorizing a Film Archival Practice in Transition - A Dialogue --  |t 8. In-Flight Entertainment or the Emptying Process of Art in the Air --  |t PART IV New Dispositif, New Conditions --  |t 9. What Kind of Art Is the Cinema of Interactions? --  |t 10. Thinking Inside and Outside of the (Black) Box. Bird Box and Netflix's Algorithmic Operations --  |t 11. Post-cinema Ecology --  |t PART V Transformations in Film Form --  |t 12. Dwelling with Moving Images --  |t 13. Extraordinary Stories, a Mariano Llinás Postmodern Art Film --  |t 14. Art, Otherwise Than Art. Cinema and Contemporary Art: A Mutual Challenge --  |t 15. The Zidane Film --  |t PART VI Post-cinema, an Artists' Affair --  |t 16. The Happy Failure. La pluie (Projet pour un texte) by Marcel Broodthaers, 1969 --  |t 17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky's DAU --  |t 18. Cinématon: The Shortest Films for the Longest Film - A Dialogue --  |t 19. Documentary as Contemporary Art - A Dialogue 
520 |a Post-cinema designates a new way of making films. It is time to ask whether this novelty is complete or relative and to evaluate to what extent this novation represents a unitary current or multiple ways. The book proposes to integrate the post-cinema question within the post-art question in order to study the new way of making filmic images in new conditions more or less remote from the dispositif of the theater and in closer relationship with contemporary art. The issue will be considered at three levels: the impression of post-art on "regular" films ; the "relocation" (Cassetti) of the same films that can be seen using devices of all kinds, in conditions more or less remote from the dispositif of the theater ; parallel to the integration of contemporary art in "regular" cinema, the integration of cinema into contemporary art in all kinds of forms of creation and exhibition. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020). 
590 |a JSTOR  |b Books at JSTOR Open Access 
590 |a JSTOR  |b Books at JSTOR All Purchased 
650 0 |a Motion pictures  |x Philosophy. 
650 4 |a Film, Media and Communication. 
650 4 |a film, contemporary art, media, aesthetics, dispositif. 
650 7 |a PERFORMING ARTS / Film & Video / Direction & Production.  |2 bisacsh 
650 7 |a Motion pictures  |x Philosophy.  |2 fast  |0 (OCoLC)fst01027348 
653 |a film, contemporary art, media, aesthetics, dispositif. 
700 1 |a Andrea, Pinotti,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a André, Gaudreault,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Annie van den, Oever,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Chateau, Dominique,  |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Christophe, Génin,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Christophe, Viart,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Céline, Scemama,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Dominique, Chateau,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Dudley, Andrew,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Eugénie, Zvonkine,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Francesco, Casetti,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a François, Jost,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Gabriela, Rivadeneira Crespo,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Giovanna, Fossati,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Gérard, Courant,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a José, Moure,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Malte, Hagener,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Miriam, De Rosa,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Moure, José,  |e editor.  |4 edt  |4 http://id.loc.gov/vocabulary/relators/edt 
700 1 |a Philippe, Marion,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Richard, Conte,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Victor, Burgin,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Wang, Bing,  |e contribtor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
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