The Musician As Entrepreneur, 1700-1914 : Managers, Charlatans, and Idealists.

By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how musicians reshaped the frameworks of musical culture and, in the process, the nature of the music itself.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Weber, William E (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2004.
Temas:
Music trade > History.
Music > Social aspects.
Musique > Industrie > Histoire.
Musique > Aspect social.
Music trade.
Electronic books.
History.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • The Musician as Entrepreneur, 1700-1914
  • Title
  • Copyright
  • Contents
  • PREFACE
  • Part One. Overview of the Subject
  • 1. The Musician as Entrepreneur and Opportunist, 1700-1914
  • 2. The Musician of the Imagination
  • Part Two. Early Musical Entrepreneurs
  • 3. Changing Times, Changing Music: "New Church" Music and Musicians in Leipzig, 1699-1750
  • 4. Selling the Serious: The Commodification of Music and Resistance to It in Germany, circa 1800
  • Part Three. Concert Management in the Nineteenth Century
  • 5. From the Self-Managing Musician to the Independent Concert Agent
  • 6. Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849
  • 7. Franz Liszt: The Virtuoso as Strategist
  • 8. "An Audience for High-Class Music": Concert Promoters and Entrepreneurs in Late-Nineteenth-Century London
  • Part Four. Women as Entrepreneurs
  • 9. Embodiment and Opportunity: Bodily Capital, Gender, and Reputation in Beethoven's Vienna
  • 10. Entrepreneurial Women Musicians in Britain: From the 1790s to the Early 1900s
  • 11. Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation
  • CONTRIBUTORS
  • INDEX

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