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The Musician As Entrepreneur, 1700-1914 : Managers, Charlatans, and Idealists.
By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how musicians reshaped the frameworks of musical culture and, in the process, the nature of the music itself.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Bloomington :
Indiana University Press,
2004.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Weber, William E, |e author | |
| 245 | 1 | 4 | |a The Musician As Entrepreneur, 1700-1914 : |b Managers, Charlatans, and Idealists. |
| 264 | 1 | |a Bloomington : |b Indiana University Press, |c 2004. | |
| 300 | |a 1 online resource (279 pages) | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
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| 500 | |a Description based upon print version of record. | ||
| 520 | |a By uncovering the ways in which musicians such as Telemann, Beethoven, Paganini, and Liszt conducted their daily business, the authors reveal how musicians reshaped the frameworks of musical culture and, in the process, the nature of the music itself. | ||
| 505 | 0 | |a Cover -- The Musician as Entrepreneur, 1700-1914 -- Title -- Copyright -- Contents -- PREFACE -- Part One. Overview of the Subject -- 1. The Musician as Entrepreneur and Opportunist, 1700-1914 -- 2. The Musician of the Imagination -- Part Two. Early Musical Entrepreneurs -- 3. Changing Times, Changing Music: "New Church" Music and Musicians in Leipzig, 1699-1750 -- 4. Selling the Serious: The Commodification of Music and Resistance to It in Germany, circa 1800 -- Part Three. Concert Management in the Nineteenth Century -- 5. From the Self-Managing Musician to the Independent Concert Agent | |
| 505 | 8 | |a 6. Bernard Ullman-Henri Herz: An Example of Financial and Artistic Partnership, 1846-1849 -- 7. Franz Liszt: The Virtuoso as Strategist -- 8. "An Audience for High-Class Music": Concert Promoters and Entrepreneurs in Late-Nineteenth-Century London -- Part Four. Women as Entrepreneurs -- 9. Embodiment and Opportunity: Bodily Capital, Gender, and Reputation in Beethoven's Vienna -- 10. Entrepreneurial Women Musicians in Britain: From the 1790s to the Early 1900s -- 11. Countess Greffulhe as Entrepreneur: Negotiating Class, Gender, and Nation -- CONTRIBUTORS -- INDEX | |
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| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Music trade |x History. | |
| 650 | 0 | |a Music |x Social aspects. | |
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| 776 | 0 | 8 | |i Print version: |a Weber, William E. |t The Musician As Entrepreneur, 1700-1914 |d Bloomington : Indiana University Press,c2004 |z 9780253057761 |
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