Cargando…
Joyless streets women and melodramatic representation in Weimar Germany /
Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially vi...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
[1989]
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | JSTOR_on1223027686 | ||
| 003 | OCoLC | ||
| 005 | 20231005004200.0 | ||
| 006 | m o d | ||
| 007 | cr ||||||||||| | ||
| 008 | 880629s1989 njua ob 001 0 eng d | ||
| 010 | |a 88022684 | ||
| 040 | |a UKAHL |b eng |e rda |c UKAHL |d EBLCP |d OCLCO |d JSTOR |d OCLCO |d OCLCF |d CSA |d OCLCO |d OCL |d P@U |d OCLCO |d YDX |d OCLCO |d INARC |d OCLCO |d OCL |d YWS |d OCLCQ |d OCLCO |d SFB |d OCLCO | ||
| 019 | |a 1302092892 | ||
| 020 | |a 9780691222066 |q (electronic bk.) | ||
| 020 | |a 0691222061 |q (electronic bk.) | ||
| 020 | |z 9780691008301 (pbk.) | ||
| 020 | |z 0691055521 (alk. paper) | ||
| 020 | |z 0691008302 (pbk.) | ||
| 035 | |a (OCoLC)1223027686 |z (OCoLC)1302092892 | ||
| 037 | |a 22573/ctv1734j3j |b JSTOR | ||
| 043 | |a e-gx--- | ||
| 050 | 4 | |a PN1993.5.G3 |b P435 1989eb | |
| 082 | 0 | 4 | |a 791.43/0943 |2 23 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Petro, Patrice, |d 1957- |e author |1 http://viaf.org/viaf/5069533 | |
| 245 | 1 | 0 | |a Joyless streets |b women and melodramatic representation in Weimar Germany / |c Patrice Petro. |
| 264 | 1 | |a Princeton, N.J. : |b Princeton University Press, |c [1989] | |
| 264 | 4 | |c copyright 1989 | |
| 300 | |a 1 online resource |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent |0 http://id.loc.gov/vocabulary/contentTypes/txt | ||
| 337 | |a computer |b c |2 rdamedia |0 http://id.loc.gov/vocabulary/mediaTypes/c | ||
| 338 | |a online resource |b cr |2 rdacarrier |0 http://id.loc.gov/vocabulary/carriers/cr | ||
| 505 | 0 | |a Cover page -- Half-title page -- Title page -- Copyright page -- Dedication page -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One: On the Subject of Weimar Film History -- Mass Culture, Modernism, and the Male Spectator in Weimar Film Histories -- Women in Weimar: Theorizing the Female Spectator -- Melodrama and Expressionism: The Conventions of Pathos -- Chapter Two: Perceptions of Difference -- Perception, Mass Culture, and Distraction: Martin Heidegger -- Perception, Mass Culture, and Distraction: Walter Benjamin and Siegfried Kracauer | |
| 505 | 8 | |a Men's Modernism versus Women's Modernity: Weimar Women at Work and at the Movies -- Chapter Three: Weimar Photojournalism and the Female Reader -- Institutional and Textual Politics: Photojournalism and Film in Weimar -- Modes of Representation in the Illustrated Press -- Gender, Looking, and the Address to Female Readers: Die Dame and the Arbeiter Illustrierte Zeitung -- Chapter Four: Weimar Cinema and the Female Spectator -- Gender, Looking, and Identification in the Weimar Cinema: Male and Female Spectatorship -- Dirnentragodie: Sexual Mobility, Social Mobility, and Melodramas of the Street | |
| 505 | 8 | |a Hintertreppe: Modes of Looking and Female Spectator Identification -- Zuflucht: Male Identity and Female Visual Pleasure -- Die freudlose Gasse: Censorship and the Female Spectator -- Afterword: Feminism and Film History-Joyless Streets Circa 1988 -- Bibliography -- Index | |
| 504 | |a Bibliography: p. 229-241. | ||
| 520 | |a Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially viable female audience, fascinated with looking at images that called traditional representations of gender into question. Interdisciplinary in her approach, Petro interweaves archival research with recent theoretical debates to offer not merely another view of the Weimar cinema but also another way of looking at Weimar film culture. Women's modernity, she suggests, was not the same as men's modernism, and the image of the city street in film and photojournalism reveals how women responded differently from men to the political, economic, and psychic upheaval of their times. | ||
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 650 | 0 | |a Motion pictures |z Germany |x History. | |
| 650 | 0 | |a Silent films |z Germany |x History and criticism. | |
| 650 | 0 | |a Motion picture audiences |z Germany |x History. | |
| 650 | 0 | |a Photojournalism |z Germany |x History. | |
| 650 | 0 | |a Women in mass media |x History. | |
| 650 | 0 | |a Sex role in mass media |x History. | |
| 650 | 0 | |a Sex role in motion pictures. | |
| 650 | 0 | |a Women |z Germany |x History |y 20th century. | |
| 650 | 0 | |a Feminist criticism. | |
| 650 | 0 | |a Feminist literary criticism. | |
| 650 | 6 | |a Cinéma |z Allemagne |x Histoire. | |
| 650 | 6 | |a Films muets |z Allemagne |x Histoire et critique. | |
| 650 | 6 | |a Cinéma |x Publics |z Allemagne |x Histoire. | |
| 650 | 6 | |a Photographie de presse |z Allemagne |x Histoire. | |
| 650 | 6 | |a Femmes dans les médias |x Histoire. | |
| 650 | 6 | |a Rôle selon le sexe dans les médias |x Histoire. | |
| 650 | 6 | |a Rôle selon le sexe au cinéma. | |
| 650 | 6 | |a Femmes |z Allemagne |x Histoire |y 20e siècle. | |
| 650 | 6 | |a Critique féministe. | |
| 650 | 7 | |a Feminist literary criticism |2 fast | |
| 650 | 7 | |a Women in mass media |2 fast | |
| 650 | 7 | |a Women |2 fast | |
| 650 | 7 | |a Silent films |2 fast | |
| 650 | 7 | |a Sex role in motion pictures |2 fast | |
| 650 | 7 | |a Sex role in mass media |2 fast | |
| 650 | 7 | |a Photojournalism |2 fast | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Motion picture audiences |2 fast | |
| 650 | 7 | |a Feminist criticism |2 fast | |
| 651 | 7 | |a Germany |2 fast | |
| 650 | 7 | |a Frau |2 gnd | |
| 650 | 7 | |a Zuschauer |2 gnd | |
| 650 | 7 | |a Weimarer Republik |2 gnd | |
| 650 | 7 | |a Stummfilm |2 gnd | |
| 651 | 7 | |a Deutschland |2 gnd | |
| 650 | 7 | |a Frau |x Film |z Deutschland. |2 idsbb | |
| 650 | 7 | |a Film |x Frau |z Deutschland. |2 idsbb | |
| 650 | 7 | |a Film |z Deutschland |y Geschichte 1901-1933. |2 idsbb | |
| 650 | 7 | |a Liebesfilm |y Geschichte 1900-1945. |2 idsbb | |
| 650 | 7 | |a Motiv (Literatur) |2 idszbz | |
| 650 | 7 | |a Motiv (Kunst) |2 idszbz | |
| 650 | 7 | |a Geschichte. |2 idszbz | |
| 650 | 7 | |a Frau. |2 idszbz | |
| 650 | 7 | |a Film. |2 idszbz | |
| 651 | 7 | |a Deutschland. |2 idszbz | |
| 648 | 7 | |a 1900-1999 |2 fast | |
| 653 | |a Anna Boleyn. | ||
| 653 | |a Baudelaire, Charles. | ||
| 653 | |a Being and Time. | ||
| 653 | |a Berlin. | ||
| 653 | |a Buci-Glucksmann, Christine. | ||
| 653 | |a Communist Party. | ||
| 653 | |a Derrida, Jacques. | ||
| 653 | |a Elsaesser, Thomas. | ||
| 653 | |a Evans, Richard J. | ||
| 653 | |a Freud, Sigmund. | ||
| 653 | |a Geschlecht in Fesseln. | ||
| 653 | |a Grossmann, Atina. | ||
| 653 | |a Hansen, Miriam. | ||
| 653 | |a Heidegger, Martin. | ||
| 653 | |a Hollywood cinema. | ||
| 653 | |a Irigaray, Luce. | ||
| 653 | |a Jardine, Alice. | ||
| 653 | |a Johnston, Claire. | ||
| 653 | |a Kammerspielfilm. | ||
| 653 | |a Kerbs, Diethart. | ||
| 653 | |a Koonz, Claudia. | ||
| 653 | |a Lamprecht, Gerhard. | ||
| 653 | |a Lang, Fritz. | ||
| 653 | |a Letzte Mann, Der. | ||
| 653 | |a Luxemberg, Rosa. | ||
| 653 | |a Mellencamp, Patricia. | ||
| 653 | |a Metropolis. | ||
| 653 | |a Munson, Anthony. | ||
| 653 | |a Nazi cinema. | ||
| 653 | |a Nolde, Emil. | ||
| 653 | |a Oedipal narrative. | ||
| 653 | |a Prometheus. | ||
| 653 | |a Quataert, Jean. | ||
| 653 | |a Querschnitt, Der. | ||
| 653 | |a Ruttmann, Walter. | ||
| 653 | |a Schönlank, Bruno. | ||
| 653 | |a androgyny: female. | ||
| 653 | |a anti-Semitism. | ||
| 653 | |a censorship, film. | ||
| 653 | |a consumerism. | ||
| 653 | |a crisis: historical. | ||
| 653 | |a documentary realism. | ||
| 653 | |a film style. | ||
| 653 | |a homophobia. | ||
| 653 | |a hysteria. | ||
| 653 | |a imperial Germany. | ||
| 653 | |a masquerade. | ||
| 653 | |a mass culture. | ||
| 653 | |a modernism. | ||
| 653 | |a petite-bourgeoisie. | ||
| 653 | |a photoessay. | ||
| 653 | |a press archives. | ||
| 653 | |a rationalization. | ||
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv173f12t |z Texto completo |
| 938 | |a YBP Library Services |b YANK |n 16998267 | ||
| 938 | |a Project MUSE |b MUSE |n musev2_79153 | ||
| 938 | |a ProQuest Ebook Central |b EBLB |n EBL6396039 | ||
| 938 | |a Askews and Holts Library Services |b ASKH |n AH37844506 | ||
| 938 | |a Internet Archive |b INAR |n joylessstreetswo0000petr | ||
| 994 | |a 92 |b IZTAP | ||