|
|
|
|
LEADER |
00000cam a2200000 i 4500 |
001 |
JSTOR_on1206396106 |
003 |
OCoLC |
005 |
20231005004200.0 |
006 |
m o d |
007 |
cr cnu---unuuu |
008 |
201114s2021 ilu o 000 0 eng d |
040 |
|
|
|a EBLCP
|b eng
|e rda
|e pn
|c EBLCP
|d N$T
|d JSTOR
|d YDXIT
|d OCLCO
|d P@U
|d OCLCF
|d CBY
|d YDX
|d OCLCQ
|d K6U
|d OCLCO
|d UKAHL
|d OCLCQ
|d OCLCO
|
020 |
|
|
|a 9780810142916
|q (electronic book)
|
020 |
|
|
|a 0810142910
|q (electronic book)
|
029 |
1 |
|
|a AU@
|b 000068507190
|
035 |
|
|
|a (OCoLC)1206396106
|
037 |
|
|
|a 22573/ctv19d1g5r
|b JSTOR
|
050 |
|
4 |
|a PN1995.9.W6
|b L366 2021
|
072 |
|
7 |
|a PHI
|x 000000
|2 bisacsh
|
072 |
|
7 |
|a PHI
|x 040000
|2 bisacsh
|
072 |
|
7 |
|a SOC
|x 010000
|2 bisacsh
|
072 |
|
7 |
|a ART
|x 057000
|2 bisacsh
|
082 |
0 |
4 |
|a 791.43/6522
|2 23
|
049 |
|
|
|a UAMI
|
100 |
1 |
|
|a Lara, María Pía,
|e author.
|
245 |
1 |
0 |
|a Beyond the public sphere :
|b film and the feminist imaginary /
|c María Pía Lara.
|
264 |
|
1 |
|a Evanston, Illinois :
|b Northwestern University Press,
|c 2021.
|
300 |
|
|
|a 1 online resource
|
336 |
|
|
|a text
|b txt
|2 rdacontent
|
337 |
|
|
|a computer
|b c
|2 rdamedia
|
338 |
|
|
|a online resource
|b cr
|2 rdacarrier
|
505 |
0 |
|
|a Introduction: The New Topography of Space -- 1. The Feminist Imaginary through the Cinematic Imagination -- 2. Three Models of Imagination: As Faculty, as Context, and as Imaginal -- 3. A Genealogy of the Concept of Rape: A Critical Reconstruction of the Patriarchal Social Imaginary -- 4. Anachronisms and Representations as Tools for a Critical Feminist Social Imaginary -- 5. The Lost Promise of Feminist Agency in Modern Political Theories: The Dialectic of Visibility into Invisibility -- Conclusion: The New Road of Visibilities: Overcoming Secrets, Invisibility, and Exclusion.
|
520 |
|
|
|a "In Beyond the Public Sphere: Film and the Feminist Imaginary, the renowned philosopher and critical theorist María Pía Lara challenges the notion that the bourgeois public sphere is the most important informal institution between social and political actors and the state. Drawing on a wide range of films--including The Milk of Sorrow, Ixcanul, Wadja, The Stone of Patience, Marnie, A Streetcar Named Desire, and Talk to Her--Lara dissects cinematic images of women's struggles and their oppression. She builds on this analysis, developing a concept of the feminist social imaginary as a broader and more complex space that provides a way of thinking through the possibilities for emancipatory social transformation in response to forms of domination perpetuated by patriarchal capitalism."--Publisher description
|
588 |
0 |
|
|a Online resource; title from digital title page (viewed on December 18, 2020).
|
590 |
|
|
|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
|
590 |
|
|
|a JSTOR
|b Books at JSTOR All Purchased
|
650 |
|
0 |
|a Women in motion pictures.
|
650 |
|
0 |
|a Women
|x Social conditions.
|
650 |
|
0 |
|a Women's rights
|x History.
|
650 |
|
0 |
|a Feminist film criticism.
|
650 |
|
6 |
|a Femmes au cinéma.
|
650 |
|
6 |
|a Femmes
|x Conditions sociales.
|
650 |
|
6 |
|a Femmes
|x Droits
|x Histoire.
|
650 |
|
6 |
|a Critique cinématographique féministe.
|
650 |
|
7 |
|a PHILOSOPHY
|x General.
|2 bisacsh
|
650 |
|
7 |
|a Feminist film criticism
|2 fast
|
650 |
|
7 |
|a Women in motion pictures
|2 fast
|
650 |
|
7 |
|a Women
|x Social conditions
|2 fast
|
650 |
|
7 |
|a Women's rights
|2 fast
|
655 |
|
7 |
|a History
|2 fast
|
776 |
0 |
8 |
|i Print version:
|a Lara, Maria Pia.
|t Beyond the Public Sphere : Film and the Feminist Imaginary.
|d Chicago : Northwestern University Press, ©2020
|z 9780810142909
|
856 |
4 |
0 |
|u https://jstor.uam.elogim.com/stable/10.2307/j.ctv19dsxmm
|z Texto completo
|
938 |
|
|
|a Askews and Holts Library Services
|b ASKH
|n AH38244915
|
938 |
|
|
|a ProQuest Ebook Central
|b EBLB
|n EBL6388805
|
938 |
|
|
|a EBSCOhost
|b EBSC
|n 2669262
|
938 |
|
|
|a Project MUSE
|b MUSE
|n muse86307
|
938 |
|
|
|a YBP Library Services
|b YANK
|n 301734832
|
994 |
|
|
|a 92
|b IZTAP
|