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Revisiting women's cinema : feminism, socialism, and mainstream culture in modern China /

"Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."--

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Wang, Lingzhen (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Durham : Duke University Press, 2020.
Colección:Camera obscura book (Duke University Press)
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Wang, Lingzhen,  |e author. 
245 1 0 |a Revisiting women's cinema :  |b feminism, socialism, and mainstream culture in modern China /  |c Lingzhen Wang. 
264 1 |a Durham :  |b Duke University Press,  |c 2020. 
300 |a 1 online resource (xiv, 293 pages) :  |b illustrations 
336 |a text  |2 rdacontent 
337 |a computer  |2 rdamedia 
338 |a online resource  |2 rdacarrier 
490 1 |a A camera obscura book 
588 |a Description based on print version record. 
504 |a Includes bibliographical references and index. 
505 0 |a Socialist Feminism and Socialist Culture Reconsidered: Institutionalized Practice, Proletarian Public Space, and Experimental Mainstream Cinema -- The Articulation of Embedded Feminist Agency in Socialist Mainstream Cinema: Wang Ping and The Story of Liubao Village (1957) -- Socialist Experimentalism, Critical Revision, and Gender Difference in Dong Kena's Small Grass Grows on the Kunlun Mountains (1962) -- Independent Feminist Practice in 1980s Post-Mao China: The Gendered Personal, Sexual Difference, and Universal Female Consciousness Film Theory, Avant-gardism, and the Rise of Masculine Aesthetics in 1980s Chinese Mainstream Cinema -- Alternative Experimental Cinema: Zhang Nuanxin's Socially Committed Mainstream Film Practice of the 1980s -- The Black Silk Velvet Aesthetic: Universal Cultural Feminism and Chinese Neotraditionalism in Huang Shuqin's Woman Demon Human (1987) 
520 |a "Lingzhen Wang examines the work of Chinese women filmmakers of the Mao and post-Mao eras to theorize socialist and postsocialist feminism, mainstream culture, and women's cinema in modern China."--  |c Provided by publisher. 
590 |a JSTOR  |b Books at JSTOR All Purchased 
590 |a JSTOR  |b Books at JSTOR Demand Driven Acquisitions (DDA) 
650 0 |a Motion pictures  |z China  |x History  |y 20th century. 
650 0 |a Women motion picture producers and directors  |z China. 
650 0 |a Feminist films  |x History and criticism. 
650 0 |a Women in motion pictures. 
650 0 |a Motion pictures  |x Political aspects  |z China  |x History  |y 20th century. 
650 6 |a Cinéma  |z Chine  |x Histoire  |y 20e siècle. 
650 6 |a Productrices et réalisatrices de cinéma  |z Chine. 
650 6 |a Films féministes  |x Histoire et critique. 
650 6 |a Femmes au cinéma. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism  |2 bisacsh 
650 7 |a Feminist films.  |2 fast  |0 (OCoLC)fst01715726 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Motion pictures  |x Political aspects.  |2 fast  |0 (OCoLC)fst01027353 
650 7 |a Women in motion pictures.  |2 fast  |0 (OCoLC)fst01177931 
650 7 |a Women motion picture producers and directors.  |2 fast  |0 (OCoLC)fst01178163 
651 7 |a China.  |2 fast  |0 (OCoLC)fst01206073 
648 7 |a 1900-1999  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Wang, Lingzhen.  |t Revisiting women's cinema.  |d Durham : Duke University Press, 2020  |z 9781478009757  |z 9781478010807  |w (DLC) 2020017609  |w (OCoLC)1141509261 
830 0 |a Camera obscura book (Duke University Press) 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1brr9bv  |z Texto completo 
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