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Jazz places : how performance spaces shape jazz history /

"The social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hannon Teal, Kimberly, 1983- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2021]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hannon Teal, Kimberly,  |d 1983-  |e author. 
245 1 0 |a Jazz places :  |b how performance spaces shape jazz history /  |c Kimberly Hannon Teal. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2021] 
300 |a 1 online resource (viii, 208 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 |a Introduction : jazz, place, and heritage -- Jazz heritage live at the Village Vanguard -- Phantom partners : large-scale venues on a national scene -- Schools on the scene -- Unearthing the stone : from underground to the new school -- Reinventing the recorded at Preservation Hall 
520 |a "The social connotation of jazz in American popular culture has shifted dramatically since its emergence in the early twentieth century. Once considered youthful and even rebellious, jazz music is now a firmly established American artistic tradition. As jazz in American life has shifted, so too has the kind of venue in which it is performed. In Jazz Places, Kimberly Hannon Teal traces the history of jazz performance from private jazz clubs to public, high-art venues often associated with charitable institutions. As live jazz performance has become more closely tied to nonprofit institutions, its relationship to its own heritage has become increasingly important, serving as a means of defining jazz as a social good worthy of charitable support. Though different jazz spaces present jazz and its heritage in various and sometimes conflicting terms, ties to the past play an important role in defining the value of present-day music in a diverse range of jazz venues, from the Village Vanguard in New York to SFJazz on the West Coast to Preservation Hall in New Orleans"--  |c Provided by publisher 
588 0 |a Online resource; title from digital title page (viewed on June 11, 2021). 
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610 2 0 |a Village Vanguard (Nightclub) 
610 2 0 |a Jazz at Lincoln Center (Organization) 
610 2 0 |a SFJAZZ (Organization) 
610 2 0 |a Preservation Hall (New Orleans, La.) 
610 2 7 |a Jazz at Lincoln Center (Organization)  |2 fast  |0 (OCoLC)fst01996515 
610 2 7 |a Preservation Hall (New Orleans, La.)  |2 fast  |0 (OCoLC)fst00687976 
610 2 7 |a SFJAZZ (Organization)  |2 fast  |0 (OCoLC)fst01928745 
610 2 7 |a Village Vanguard (Nightclub)  |2 fast  |0 (OCoLC)fst00544403 
650 0 |a Jazz  |x History and criticism. 
650 0 |a Jazz  |x Social aspects  |z United States  |x History. 
650 0 |a Jazz  |x Instruction and study  |z United States  |x History. 
650 7 |a MUSIC  |x Genres & Styles  |x Jazz.  |2 bisacsh 
650 7 |a Jazz.  |2 fast  |0 (OCoLC)fst00982165 
650 7 |a Jazz  |x Instruction and study.  |2 fast  |0 (OCoLC)fst00982179 
650 7 |a Jazz  |x Social aspects.  |2 fast  |0 (OCoLC)fst00982185 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
776 0 8 |i Print version:  |a Hannon Teal, Kimberly, 1983-  |t Jazz places.  |d Oakland, California : University of California Press, [2021]  |z 9780520303706  |w (DLC) 2020046903 
856 4 0 |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv1npx3jw  |z Texto completo 
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