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Jewish-muslim interactions : performing cultures between North Africa /

By exploring dynamic Jewish-Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, we offer an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. Our volume inte...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Everett, Samuel (Editor ), Vince, Rebekah (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Liverpool : Liverpool University Press, 2020.
Colección:Francophone postcolonial studies ; new ser., v. 11.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Jewish-muslim interactions :  |b performing cultures between North Africa /  |c edited by Samuel Everett and Rebekah Vince. 
264 1 |a Liverpool :  |b Liverpool University Press,  |c 2020. 
264 4 |c ©2020 
300 |a 1 online resource (x, 328 pages, 8 unnumbered pages of plates) :  |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Francophone postcolonial studies ;  |v 11 
504 |a Includes bibliographical references and index. 
520 |a By exploring dynamic Jewish-Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, we offer an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. Our volume interrogates interaction that crosses the genres of theatre, music, film, art, and stand-up, emphasising creative influence and artistic cooperation between performers from the Maghrib, with a focus on Algeria, Tunisia, Morocco, and diaspora communities, notably in France. The plays, songs, films, images, and comedy sketches that we analyse are multilingual, mixing not only with the former colonial language French, but also the rich diversity of Indigenous Amazigh and Arabic languages. The volume includes contributions by scholars working across and beyond disciplinary boundaries through anthropology, ethnomusicology, history, sociology, and literature, engaging with postcolonial studies, memory studies, cultural studies, and transnational French studies. The first section examines accents, affiliations, and exchange, with an emphasis on aesthetics, familiarity, changing social roles, and cultural entrepreneurship. The second section shifts to consider departure and lingering presence through spectres and taboos, in its exploration of absence, influence, and elision. The volume concludes with an autobiographical afterword, which reflects on memories and legacies of Jewish-Muslim interactions across the Mediterranean.--  |c Provided by publisher. 
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650 0 |a Performing arts  |z Africa, North. 
650 0 |a Performing arts  |z France. 
650 0 |a Performing arts  |x Religious aspects  |x Judaism. 
650 0 |a Performing arts  |x Religious aspects  |x Islam. 
650 6 |a Arts du spectacle  |z Afrique du Nord. 
650 6 |a Arts du spectacle  |z France. 
650 6 |a Arts du spectacle  |x Aspect religieux  |x Judaïsme. 
650 6 |a Arts du spectacle  |x Aspect religieux  |x Islam. 
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651 7 |a France  |2 fast 
651 7 |a North Africa  |2 fast 
700 1 |a Everett, Samuel,  |e editor. 
700 1 |a Vince, Rebekah,  |e editor. 
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830 0 |a Francophone postcolonial studies ;  |v new ser., v. 11. 
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