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The notebooks of Robert Frost /

"Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Frost, Robert, 1874-1963 (Autor)
Otros Autores: Faggen, Robert (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Massachusetts ; London, England : The Belknap Press of Harvard University Press, 2009.
Edición:First Harvard University Press paperback edition.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Frost, Robert,  |d 1874-1963,  |e author. 
245 1 4 |a The notebooks of Robert Frost /  |c edited by Robert Faggen. 
250 |a First Harvard University Press paperback edition. 
264 1 |a Cambridge, Massachusetts ;  |a London, England :  |b The Belknap Press of Harvard University Press,  |c 2009. 
264 4 |c Ã2006 
300 |a 1 online resource (xxxii, 810 pages) :  |b facsimiles 
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500 |a Originally published: 2006. 
504 |a Includes bibliographical references and index. 
505 0 |a 1890-1950: Hunter James -- 1903: The hermits -- 1903-1910: All these different psycological experiments -- 1909-1950: If I had prayed every day what you prayed I don't see how I could help calling myself a Utopian -- 1910-1955: Submission to the law of the machine -- 1910: Bring all under the influence of the great books as under a spell -- 1911: She's ... writer I guess you'd call it wants to go on the stage -- 1912-1915: A place apart -- 1913:1917: beggars in England -- 1916-1918: All my thoughts of every thing -- 1916-1919: Two poets -- 1918-1921: A time when nothing, neither religion nor patriotism comes to an apex -- 1919: The copperhead -- 1920-1930: The furthest two things can be away from each other -- 1923-1924: Learn lives of poet -- 1924: I don't see what you have to complain of -- 1924-1925: You and I -- 1926-1928: Difference between meter and rhythm -- 1928: I learned to laugh when I was young -- 1929: These are not monologues but my part in a conversation -- 1930-1940: Thick skinned thick headed -- 1930-1940: True humility is a kind of carelessness -- 1935-1951: True humility again lies in suffering -- 1935: Curiously enough : as a connection -- 1935: America and the plot -- 1935: Since surely good is evil's better helf -- 1936: The question for the original -- 1936-1939: Having learned to read -- 1937-1942: Democracy -- 1937: Alcie that Socratic boy -- 1937-1955: Three of those evils parsed in half an hour -- 1940-1950: Leila. What have you brought him into the house for? -- 1940: Prophetic -- 1950: What is your attitude toward our having robbed the Indians of the American continent? -- 1951-1952: Pertinax -- 1950-1955: And it would satisfy something in him -- 1950-1955: If his own intuitions were correct -- 1950-1951: There is a shadow always on success -- 1950-1962: If we are too much given to reflect -- 1950-1962: I wont be talked to by a woman, tell her -- 1960-1962: Dedication of the Gift outright -- Undated: One favored acorn -- Undated: First answerability divine right -- Undated: Last refinement of subject matter -- Undated: Sentences may have the greatest monotony to the eye -- Undated: Many speak as if it was a reproach to the Puritans -- Undated loose notebook pages: All thoughts all passions all delights -- Undated: Nothing more composing than composition. 
520 |a "Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These notebooks, transcribed and presented here in their entirety for the first time, offer unprecedented insight into Frost's complex and often highly contradictory thinking about poetics, politics, education, psychology, science, and religion--his attitude toward Marxism, the New Deal, World War--as well as Yeats, Pound, Santayana, and William James. Covering a period from the late 1890s to early 1960s, the notebooks reveal the full range of the mind of one of America's greatest poets. Their depth and complexity convey the restless and probing quality of his thought, and show how the unruliness of chaotic modernity was always just beneath his appearance of supreme poetic control. Edited and annotated by Robert Faggen, the notebooks are cross-referenced to mark thematic connections within these and Frost's other writings, including his poetry, letters, and other prose. This is a major new addition to the canon of Robert Frost's writings."--  |c Provided by publisher. 
545 0 |a Robert Faggen is Barton Evans and H. Andrea Neves Professor of Literature at Claremont McKenna College. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified]:  |c HathiTrust Digital Library.  |d 2020.  |5 MiAaHDL 
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600 1 0 |a Frost, Robert,  |d 1874-1963  |x Manuscripts. 
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700 1 |a Faggen, Robert,  |e editor. 
776 0 8 |i Print version:  |a Frost, Robert, 1874-1963.  |t Notebooks of Robert Frost.  |d Cambridge, Mass. : Belknap Press of Harvard University Press, 2006  |z 0674023110  |w (DLC) 2006042992  |w (OCoLC)69241543 
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