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|a 1197867213
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|2 23
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|a UAMI
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|a From Realism to the Silver Age :
|b New Studies in Russian Artistic Culture /
|c edited by Rosalind P. Blakesley and Margaret Samu.
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|a De Kalb, IL :
|b Northern Illinois University Press,
|c [2014]
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|a 1 online resource
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|a text
|b txt
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|a computer
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|a online resource
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|a NIU Series in Slavic, East European, and Eurasian Studies
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|a Cover -- From REALISM to the SILVER AGE -- Title -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Elizabeth Kridl Valkenier and the World of Russian Art -- Introduction -- 1. Academic Foot Soldier or Nationalist Warhorse? The Moscow School of Painting and Sculpture, 1843-1861 -- 2. The Brothers Konstantin and Vladimir Makovskii: One Family, Two Fales -- 3. Making a Case for Realism: The Female Nude in Russian Satirical Images of the .1860s -- 4. The Abramtsevo Circle: Founding and Aesthetic Direction -- 5. Tolstoy, Ge, and Two Pilates: A Tale of the lntemrts
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|a 6. Painting History, Realistically: Murder at the Tretiakov -- 7. The Contemporary Reception of Ilia Repin's Solo Exhibition of 1891 -- 8. Pavel Tretiakov's Icons -- 9. Closing the Books on Peredvizhnichestvo: Mir Iskusstva's Long Farewell to Russian Realism -- 10. Serov, Bakst, and the Reinvention of Russia's Classical Heritage -- 11. Between East and West: The Search for National Identity in Russian Illustrated Children's Books, 1800-1917 -- 12. Kandinsky's Sketch for ""Composition II, "" 1909-1910: A Theosophical Reading -- 13. Things That Are Not: Marianne Werefkin and the Condition of Silence
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|a This volume of thirteen essays presents rigorous new research by western and Russian scholars on Russian art of the nienteenth and early-twentieth centuries. Over More than three decades after the publication of Elizabeth Valkenier's pioneering monograph, Russian Realist Art, this impressive collection showcases the latest methodology and subjects of inquiry, expanding the parameters of what has become an area of enormous intellectual and popular appeal. Major artists including Ilia Repin, Valentin Serov, and Wassily Kandinsky are considered afresh, as are the Peredvizhnik and Mir iskusstva movements and the Abramtsevo community. The book also breaks new ground to embrace subjects such as Russian graphic satire and children's book illustration, as well as stimulating aspects of patronage and display. Collectively, the essays include a range of approaches, from close textual readings to institutional critique. They also develop major themes inspired by Valkenier's work, among them: the emergence and evolution of cultural institutions, the development of aesthetic discourse and artistic terminology, debates between the Academy of Arts and its challengers, art criticism and the Russian press, and the resonance of various forms of nationalism within the art world. These and other questions engage multiple disciplines--those of art history, Slavic Russian studies, and cultural history, among others--and promise to fuel a vibrant and ascendant field.
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|a Art, Russian
|z Russia
|x History
|y 19th century.
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|a Art, Russian
|z Russia
|x History
|y 20th century.
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|a Realism in art
|x History.
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|a Silver age (Russian arts)
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|a Art russe
|z Russie
|x Histoire
|y 19e siècle.
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|a Art russe
|z Russie
|x Histoire
|y 20e siècle.
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|a Réalisme (Art)
|x Histoire.
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|a Silver age (Russian arts)
|2 fast
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|a Realism in art
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|a Art, Russian
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|a Russia
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|a 1800-1999
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|a Elizabeth Valkenier, Ilia Repin, Valentin Serov, Wassily Kandinsky, Peredvizhnik movement, Mir iskusstva movement, Abramtsevo community, Russian graphic satire.
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|a History
|2 fast
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|a Blakesley, Rosalind P.
|q (Rosalind Polly),
|e editor.
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|a Samu, Margaret,
|e editor
|1 http://viaf.org/viaf/305378859
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|i Print version:
|a Blakesley, Rosalind.
|t From Realism to the Silver Age : New Studies in Russian Artistic Culture.
|d Ithaca : Cornell University Press, ©2014
|z 9781609091620
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830 |
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|a NIU series in Slavic, East European, and Eurasian studies.
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|u https://jstor.uam.elogim.com/stable/10.7591/j.ctv177t9k1
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