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Mahler and His World /
From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona a...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, NJ :
Princeton University Press,
[2020]
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| Colección: | Bard Music Festival series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a Mahler and His World / |c Karen Painter. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2020] | |
| 264 | 4 | |c ©2002 | |
| 300 | |a 1 online resource (416 pages) : |b 8 halftones. | ||
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| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Preface and Acknowledgments -- |t Whose Gustav Mahler? Reception, Interpretation, and History -- |t Mahler's Theater: The Performative and the Political in Central Europe, 1890-1910 -- |t Mahler's Jewish Parable -- |t A Soldier's Sweetheart's Mother's Tale? Mahler's Gendered Musical Discourse -- |t The Aesthetics of Mass Culture: Mahler's Eighth Symphony and Its Legacy -- |t Musical Lyricism as Self-Exploration: Reflections on Mahler's "Ich bin der Welt abhanden gekommen" -- |t " . . . the heart-wrenching sound of farewell": Mahler, Riickert, and the Kindertotenlieder -- |t In Search of Lost Time: Memory and Mahler's Broken Pastoral -- |t Aspects of Mahler's Late Style -- |t Mahler's American Debut: The Reception of the Fourth and Fifth Symphonies, 1904-1906 -- |t The American Premiere of Mahler's Fifth Symphony -- |t Boston Symphony Orchestra -- |t East Coast Tour -- |t Mahler's German-Language Critics -- |t Mahler as Conductor -- |t The First Symphony -- |t The Fifth Symphony -- |t The Seventh Symphony -- |t Das Lied von der Erde -- |t Obituaries -- |t The Mahler Amsterdam Festival, 1920 -- |t Index -- |t Notes on the Contributors |
| 520 | |a From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020). | |
| 590 | |a JSTOR |b Books at JSTOR All Purchased | ||
| 590 | |a JSTOR |b Books at JSTOR Evidence Based Acquisitions | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 600 | 1 | 0 | |a Mahler, Gustav, |d 1860-1911 |x Criticism and interpretation. |
| 600 | 1 | 1 | |a Mahler, Gustav, |d 1860-1911 |x Criticism and interpretation. |
| 600 | 1 | 7 | |a Mahler, Gustav, |d 1860-1911 |2 fast |0 (OCoLC)fst00055671 |
| 650 | 4 | |a Adorno, Theodor W.;Aldrich, Richard;anti-Semitism;Bahr, Hermann;Beethoven, Ludwig van;Berg, Alban;Brahms, Johannes. | |
| 650 | 4 | |a Damrosch, Walter. | |
| 650 | 4 | |a Debussy, Achille-Claude. | |
| 650 | 4 | |a Elgar, Edward. | |
| 650 | 4 | |a Faust (Goethe). | |
| 650 | 4 | |a Fried, Oskar. | |
| 650 | 4 | |a Gericke, Wilhelm. | |
| 650 | 4 | |a Graf, Max. | |
| 650 | 4 | |a Hanslick, Eduard. | |
| 650 | 4 | |a Haydn, Joseph. | |
| 650 | 4 | |a Hirschfeld, Robert. | |
| 650 | 4 | |a Israel Philharmonic. | |
| 650 | 4 | |a Jensen, Adolf. | |
| 650 | 4 | |a Kalbeck, Max. | |
| 650 | 4 | |a Korngold, Erich Wolfgang. | |
| 650 | 4 | |a Liszt, Franz. | |
| 650 | 4 | |a Louis, Rudolf. | |
| 650 | 4 | |a Mahler, Alma (wife). | |
| 650 | 4 | |a Nazis. | |
| 650 | 4 | |a Nietzsche, Friedrich. | |
| 650 | 4 | |a Reinhardt, Max. | |
| 650 | 4 | |a Schoenberg, Arnold. | |
| 650 | 4 | |a Schubert, Franz. | |
| 650 | 4 | |a Walter, Bruno. | |
| 650 | 4 | |a capitalism. | |
| 650 | 4 | |a ethical idealism. | |
| 650 | 4 | |a folk music, Mahler and. | |
| 650 | 4 | |a gender-sensitive approach. | |
| 650 | 4 | |a obituaries of Mahler. | |
| 650 | 4 | |a pan-Germanism. | |
| 650 | 7 | |a MUSIC / History & Criticism. |2 bisacsh | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 700 | 1 | |a Painter, Karen, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
| 776 | 0 | 8 | |i Print version: |a Painter, Karen |t Mahler and His World |d Princeton : Princeton University Press,c2002 |
| 830 | 0 | |a Bard Music Festival series. | |
| 856 | 4 | 0 | |u https://jstor.uam.elogim.com/stable/10.2307/j.ctv14163ng |z Texto completo |
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