From Post-Yugoslavia to the Female Continent : a Feminist Reading of Post-Yugoslav Literature.

Women's writing from the former/post-Yugoslavia recollects but also produces the links among the post-Yugoslav present and the Yugoslav past - as either those bygone Yugoslav days or the recent war history. Along with a gynocritical intervention that draws attention to an uninterrupted marginal...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Matijevic, Tijana
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcipt Verlag, 2020.
Colección:Lettre.
Temas:
Slavic literature.
Littérature slave.
LITERARY CRITICISM > European > Eastern (see also Russian & Former Soviet Union)
LITERARY CRITICISM / European / Eastern
Slavic literature
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Contents
  • I Introduction: On Post-Yugoslavia and the Female Continent
  • I 1. Post-Yugoslav Literature: A Utopia and a Field
  • I 2. A Feminist Framing of the post-Yugoslav Literary Field
  • I 3. Summary
  • II Women's Writing and Critical Nostalgia: On Ildiko Lovas' Fiction
  • II 1. Borders of Time and Space and Authorship: "Via del Corso I"
  • II 2. On Real and Fictional Identities: "Stvarni konobar"
  • II 3. Totalitarianism and Misogyny: "Zlatna priča"
  • III Post-Yugoslav Écriture Féminine
  • III 1. Tanja Stupar Trifunović's Satovi u majčinoj sobi: 'Writing the Body' as a Signpost
  • III 1.1. To Meet the (M)other
  • III 1.2. Female Difference and Writing
  • III 2. Tea Tulić's Kosa posvuda: How to Write the Death of Mother
  • III 2.1. Female Camaraderie vs. Real World
  • III 2.2. Back to Chora? On Mother and Writing
  • III 3. Ivana Bodrožić's Hotel Zagorje: The Death of the Father and the Coming of Age as the War Novel
  • III 3.1. To be a Refugee: Internalization and Reproduction of Enmity
  • III 3.2. Lures and Fears of Coming of Age
  • III 3.3. An Absent Witness to the Father's Death
  • IV The Other Writing: Atonement and Female Authorship in Snežana Andrejević's and Luka Bekavac's Fiction
  • IV 1. Snežana Andrejević's Životu je najteže: A 'Two-faced' Narrator
  • IV 1.1. On the Front Line: Trans, Trance
  • IV 2. Luka Bekavac's Drenje and Viljevo: Beyond Severed Ends of Space and Time
  • IV 3. The Medium is the Message: Female Voices and Sound
  • V What to Do With the Past? Feminist Literary Historiographies I: Olja Savičević Ivančević's Adio, kauboju
  • V 1. On the Real, Fictional and Female Cowboys
  • V 2. Staging the Western. Why the Past Does Not Fit the Present?
  • V 3. Saint Fjoko Festival: Difference and the Carnevalization of Gender
  • V 4. The Body/House Trope: Essentialization and Emancipation
  • V 5. Marija Čarija's Western: Righteousness and Tragic Heroin
  • V 6. Migrant, Worker, Author: An Open End as the Beginning
  • VI What to Do With the Past? Feminist Literary Historiographies II:Slobodan Tišma's Bernardijeva soba
  • VI 1. Objects of the Past, Past of the Objects: Past as Belonging(s)
  • VI 2. Parental Home: On (Im)possible Identifications
  • VI 3. Pol and Politika: Women in Pairs and the Politics of Literature
  • VI 4. Colonizing a Utopia: Jouissance, Difference and Authorship
  • VI 5. Neo-avant-garde and Feminist Foundations of post-Yugoslav Literature
  • VI 5.1. Appendix: Situationist International and the Esoteric Neo-avant-garde in Bernardijeva soba
  • VII Conclusions. Inherited Possibility, Or: Choosing The Optimal Variant
  • Bibliography

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