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Post-apartheid criticism : perceptions of whiteness, homosexuality, and democracy in South Africa /

South Africa' s post-apartheid narrative is one of democracy and equality - but its flaws run deep, argues Ives S. Loukson. Disclosing prejudices about whiteness, homosexuality and democracy in the "staged society", he claims the concept of relation as an adequate framework for the em...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Loukson, Ives S., 1981- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : Transcipt Verlag, [2020]
Colección:Lettre (Transcript (Firm))
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Contents
  • Acknowledgements
  • List of Abbreviations
  • Abstract
  • CHAPTER ONE: Introduction
  • 1.1. Operationalization of key concepts
  • 1.2. Literature review
  • 1.3. Research hypothesis and research questions
  • 1.4. Theory and methodology
  • 1.5. Structure of the work
  • CHAPTER TWO: Form and Signification: Idiosyncrasy of South African Post-Apartheid Narrative
  • 2.1. Character: an incursion into the idiosyncrasy of South African Post-Apartheid Narrative
  • 2.2. Spatialization in Post-Apartheid Narrative as a deconstruction of Post-apartheid South Africa
  • 2.3. From fictional to autobiographic narrat4e
  • CHAPTER THREE: South African Post-apartheid Hegemony. Discourse as Negation of Relation and Social Representations
  • 3.1. Discourse and Relation: theoretical and historical springs of South African Post-apartheid hegemony
  • 3.2. Roots of the portrayed Post-apartheid hegemony
  • 3.3. How do social representations relate to discourse and Relation?
  • CHAPTER FOUR: Extricating Democracy, Whiteness, and Homosexuality from Social Representations for the Embodiment of Relation in Post-Apartheid Narrative
  • 4.1. Post-apartheid hegemony as shaped by the perceptions of homosexuality in "The Quiet Violence of Dreams"
  • 4.2. Post-apartheid hegemony as shaped by the perceptions of whiteness in "Coconut"
  • 4.3. Post-apartheid hegemony as shaped by the perceptions of democracy in "Dog Eat Dog" and "Memoirs of a Born Free".