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Coquettes, wives, and widows : gender politics in French baroque opera and theater /
Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ri...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Rochester, NY :
University of Rochester Press,
2020
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| Colección: | Eastman studies in music.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Ray, Marcie, |e author. | |
| 245 | 1 | 0 | |a Coquettes, wives, and widows : |b gender politics in French baroque opera and theater / |c Marcie Ray |
| 264 | 1 | |a Rochester, NY : |b University of Rochester Press, |c 2020 | |
| 264 | 4 | |c ©2020 | |
| 300 | |a 1 online resource (xi, 191 pages) : |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Eastman studies in music | |
| 504 | |a Includes bibliographical references (pages 159-178) and index | ||
| 505 | 0 | |a Front cover -- Contents -- Acknowledgments -- Introduction -- Chapter One: From Platée's Frog-Like Flirt to Pompadour's Yellow Skin -- Chapter Two: A "Mistress of Her Own Affairs" -- Chapter Three: The Price of Independence -- Chapter Four: "Everywhere Our Hearts Are in Danger" -- Epilogue -- Appendix -- Notes -- Bibliography -- Index | |
| 520 | |a Seventeenth- and eighteenth-century French theatrical works created an uneasy dialogue with the often-blistering depictions of marriage in contemporary writings by literary women. For over a century, composers and librettists attempted to silence such anti-traditionalist views through dramas that ridicule, banish, or, even more violently, silence and subjugate female characters who resist marriage. These dramas portray independent-minded women as agents of chaos who deploy their sexuality to destabilize class demarcations, or to destroy families and at times the monarchy itself. Coquettes, Wives, and Widows: Gender Politics in French Baroque Opera and Theater shows how dramatists wrested narratives away from women and weaponized those narratives in a defense of the status quo. It examines a wide range of works of different types: from Jean-Philippe Rameau's Platée, ou Junon jalouse and André Campra's Aréthuse, ou la Vengeance de l'Amour to representative works from the Comédie Française, the Comédie Italienne, and the fairgound theaters. Each theater offered denigrating portraits of independent women as dissolute, obstinate, and extremist. The operas and other theatrical works explored in Coquettes, Wives, and Widows reveal who (in the view of many at the time) should exercise authority to make choices about women's lives. They also give evidence of widespread fears about how society might change if it were to grant women themselves that responsibility | ||
| 545 | |a Marcie Ray is an Associate Professor of Musicology at Michigan State University | ||
| 588 | 0 | |a online resource; title from PDF title page (ProQuest Ebook Central, viewed January 11, 2021) | |
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| 650 | 0 | |a Opera |z France |y 18th century. | |
| 650 | 0 | |a Opera |z France |y 17th century. | |
| 650 | 0 | |a Women in opera. | |
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| 650 | 6 | |a Opéra |z France |y 17e siècle. | |
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| 650 | 7 | |a Gender studies: women. |2 bicssc | |
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| 776 | 0 | 8 | |i Print version: |a Ray, Marcie. |t Coquettes, wives, and widows. |d Rochester, NY : University of Rochester Press, 2020 |z 9781580469883 |w (DLC) 2020003816 |w (OCoLC)1126810312 |
| 830 | 0 | |a Eastman studies in music. | |
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